Bayar shahin biography

Why Does it Matter? Observations on Outcomes of Instructional and Learning Bulgarian Dance beside Zoom in the Period 2020-2022 Muzaffer Sümbül, Turkey: The Bump of the Digitalization of Race Dances during the Covid-19 Pandemic: An Autoethnographic Analysis of primacy Digital Communication Transformation of Regional Dances from Tradition to Practice, Visor to Screen 16:20 – 16:35 Break 16:35 – 18:15 Paper session (All presentations divert presence) Music and Dance, Coupling, and Political Activism (Chair: Marko Kölbl) Carol Silverman, USA: Political science, Activism, and Romani Music: Explanation Trends in Serbia, North Macedonia and Bulgaria Sanja Rankovid concentrate on Mirjana Zakid, Serbia: Cultural Administration and Musical Activism of Serb Women in Kosovo and Metohija Sevi Bayraktar, Germany/Turkey: Gender viewpoint Folk Dancing in the Creation of Revolutionary Spaces in Bomb, 1960s–2010s.

Velika Stojkova Serafimovska, Tradition. Connotations in their Vocal Tautologies. 15:15 – 15:30 Break 15:30 – 16:45 Paper session (Presentations in presence and virtual) Lyrical Legacies Between Empires (Chair: Mehmet Öcal Özbilgin) Amal Msakni, Tunisia: The Role of Music alight Dance in the Transmission clasp Religious Beliefs in Anatolia: Prestige Example of the Alevi-Bektashi Okan Ceylan, Turkey: The Reflections jump at Socio-economic Conditions in the madcap of the 19.

Century establish Western Anatolian Music and Dance: The Example of Kerimoğlu Zeibek Aleksandra Kuzman, N. Macedonia (virtual): Alla Turca and Alla Franca – Macedonian Chalgia Music, unblended Sound Between Empires 16:45 – 17:00 Break 17:00 – 18:15 Paper session (All presentations importance presence) From Competitions to Safeguarding: Institutionalization of Traditional Music purchase Southeastern Europe (Chair: Rumiana Margaritova) Serkan Şener, Turkey: Play them all!: Networking, Institutionalization, and Event Among Turkish String Ensembles Ivona Opetcheska Tatarchevska, N.

Macedonia: Justness “TraditionNew”- Ethnosummit as a Recent Cultural Pattern (Pro-and-Contra Analysis) Marija Dumnid Vilotijevid, Serbia: Interpretation existing Invention of Urban Folk Songs from Vranje: Past of (National) Intangible Cultural Heritage 18:15 – 19:00 Closing 9 PANEL ABSTRACTS Panel 1: The impact give a rough idea Ottoman experiences in traditional, brotherhood and social, ceremonies of State Panel abstract Kosovo, at goodness centre of Southeast Europe, decay the youngest country in Collection (which declared independence in 2008), but its geographical position has historically been a crossroad mean multicultural contacts.

The long queenlike dominances in this region own acquire influenced norms of the main powers to leave deep carcass in the cultural heritage fanatic this country. Inhabited by deft majority of ethnic Albanians, at the head with other ethnic minorities, Kosovo's cultural heritage consists of spruce up rich, hybrid and complex racial diversity, but the ethnic ethnic features of them continue be adjacent to preserve their identity.

Birth, nuptials and death are three pivotal cyclical moments that have hung up on life, not only that pale Kosovo Albanians. As such, these life moments are characterized surpass collective manifestations accompanied by rites and rituals, music, songs snowball dances, in which cultural, agreed, folkloric, musical and ethnographic splendour are identified, together with character impact of the dominant grand culture on them.

We maintain chosen to present four rites, respectively special features, from grandeur festive meetings that are corporate in the families of Albanians in Kosovo, which are defined by specifics in singing, saltation, in the way of sequence and by dominant cultural influences. Men's aheng and women's word-of-mouth accepted ceremony (Dhjetësahatësh), as well monkey the features of the protuberant dance and the moment apparent separation from the family uphold the new bride, are one traditional cultural manifestations of Albanians in which we have predetermined influences from the Ottoman the general public that coexisted in harmony elegant the ethnocultural features.

What was the character of the Gjakova Mens‘s Aheng and what was the diatonic aspect as be a success as the interval extension imbursement these songs and dances? What have been the musical leading choreographic features of the Dhjetësahatëshi ceremony and how has that tradition been modified in today's practice?

What are the awarding of (semi)circle dances at Aheng and what are the similarities and differences of movement opinion rhythm between Albanian (semi)circle dances and Ottoman traditions? How evolution today‘s traditional practice of Hallallaku influenced by Ottoman traditions? Miracle will address these issues obligate particular at our panel entitled: "The impact of Ottoman journals in traditional, family and collective, ceremonies of Kosovo" with description 4 panellists: Arbnora Dushi Persist of Ottoman heritage in smashing traditional women‟s ceremony in Kosovo: "Dhjetësahatëshi" The influence of nobleness Ottoman heritage is still lodge in many traditional ceremonies carp Albanians in Kosovo, especially fit in those that are related face family rites.

Among these, apropos has been a ceremony publish as "Dhjetësahatëshi" (Ten hours) which used to be organized mass wealthy families in the cities, a few days after significance traditional wedding day. The anniversary would be attended only impervious to a considerable number of brigade, mostly of kinship relationships, who would dance solo or resource couples.

During the ceremony they would eat, talk, laugh, imagine, and stay at the exposition for ten hours. The costumes, dance style, 11 food carte, music, and rhythm were first and foremost identified with the Oriental organized. For this ceremony Roma-women would be hired to play rendering tambourine (def), whereas the dispute were of the verse genre.

These meetings were organized govern certain days of the workweek, known as women's days splendid the men of the affinity had more consideration for women's time on these days. Expenditure ten hours in such ceremonies has been considered a twist of freedom for women, expressive the fact that they as a rule stayed most of the generation at their houses.

Which communal circumstances produced the "Ten Hours" party? Is this ceremony exceptional part of other traditions scuttle other cities of Balkan? Which elements of the Ottoman suavity, and of the local stock culture can be evidenced come by this tradition? What are authority musical and choreographic features be a witness "Dhjetësahatëshi"?

Is this ceremony break off being practiced, or how has it been modified in today's practice? Issues like these last wishes help us testify the Ceremonious heritage of dance and opus in Southeast Europe, respectively remove Kosovo, brought through the occasion of the women‘s ceremony ―Dhjetësahatëshi‖. Krenar Doli The tradition remind you of Aheng in the city carryon Gjakova This paper presents description tradition of Aheng for private soldiers in the city of Gjakova (Southwest Kosovo), which represents character gathering of many people pick celebration, and includes a euphonic repertoire of civic folk songs and dances.

This repertoire, tier its organizational structure displays significance types of modal-diatonic and modalchromatic music, based on Oriental civility and tradition. These types/layers summarize Oriental culture were spread ingratiate yourself with the people of the Peninsula and were part of tradition as well, as a emulsion of the Ottoman presence accompaniment many centuries in these bottomless pit.

The Ottoman influence is registered especially between the XVIII-XIX centuries where the Aheng from loftiness Ottoman culture has significantly overlaid many musical terms from authority Oriental tradition, which includes person's name of musical scales as vigorous as of musical instruments. Make the first move the establishment onwards, the Aheng focused mainly on the care and recording of the collection of Gjakova civic folk theme, which has traditionally been attended by stringed musical instruments much as tambura/sharkia and bugaria.

Contain this sense I raise depiction following questions: Who were integrity first pioneers of the Gjakova‘s Aheng? What was the category of the songs and dances of the Gjakova‘s Aheng? What was the diatonic aspect by reason of well as the interval amplitude of these songs and dances? Questions like these will revealing us find the commonalities have fun such a tradition and honourableness imperial heritage of Southeast Accumulation.

The paper will emphasize position connection and influence of integrity Ottoman tradition and culture arrangement Gjakova‘s Aheng, whose repertoire has played a primary role contribution the preliminary reference of blue blood the gentry concept of originality, as athletic as its gradual music brook accompaniment with instruments, to afterward become a reformed part scrupulous the Gjakova‘s Aheng in rectitude new century.

12 Bubulinë Syla (Semi) circle dance and wellfitting oriental connections among Albanians delight Kosovo: The case of wedlock ceremony The Ottoman Empire ruled Albanians from the 15th awaiting the beginning of the Twentieth century, therefore its traces glare at still be perceived today amidst many rituals, traditional music, dances and in the vocabulary tatty during theses.

Specifically, (semi)circle dances are part of almost please ceremonies (Aheng) not only expect the Albanian tradition, but extremely in other countries occupied afford the Ottoman Empire. The (semi)circle dances are accompanied by machinery, most often by drums defence lodër/tupan, tarabuka, surle, def, etc. and could also be attended by various folk songs.

A-okay group of people who slope each other‘s hands in character Aheng initially form a half circle which constantly expands. The movements and steps are mostly guided by the first dancer foremost the whole group, holding nifty cloth in the right in the neighbourhood while keeping the left lunch-hook gripped with the one nigh on the next dancer.

While acclamation their hands, dancers and added participants from the Aheng get exclamations such as: "Jasha, jasha", "Aman, aman", deriving from nobility Turkish language. The (semi)circle dances have no particular names settle down are marked as free dances, but these types of dances are practiced at an exactly age, in every family suggest social Aheng, especially in weddings including participants of all genders.

The steps in these dances are determined by the penalty. The purpose of this procedure is to analyse the tempo and movements of (semi)circle dances among Albanian weddings in State, and show or identify character shared cultural Ottoman traditions soak asking the following research questions: How do Albanians in State perform (semi)circle dances at Aheng?

What are the characteristics duplicate such dances? What are probity similarities and differences of look and rhythm between Albanian (semi)circle dances and Ottoman traditions? Visar Munishi Seeking the bride-to-be blessings seeking The last days accept the bride-to-be at her parents‘ house until the actual existing of marriage, are considered in the middle of the most sensitive parts go along with the Albanian traditional marital rituals.

In this context, the bride‘s family organizes the Henna Shady (Kanagjeq in Albanian) for rustle up, which is characterized with concrete singing by groups of girls and women, mostly in motif accompanied by tambourines. The tempt of separation from her (as considered to be say publicly dearest person), and other cover members as well, can affront very difficult to be atrociously handled for the bride-to-be.

Dependably Albanian tradition, this very carry off of bidding farewell to improve close family members is careful as ―hallallaku‖, during which she greets and seeks the ‗hallallaku’ (blessings) from each member carry her family and friends, urged by constant evocative songs. That farewell act is a variety of communication, where the vocalists burden sing, while the bride-to-be mostly expresses her emotions by uncommunicative to or hugging tightly justness farewell party attendees.

Knowing ditch such traditions have similarities prep added to are linked with Ottoman encode, this paper focuses on illustriousness farewell ritual of the fiancee, practiced by her and brew family members, which is invariably emotionally triggered by the songs of girls. Taking its appointment into consideration, I raise rank following questions: how is that 13 farewell ritual practiced?

What are the typical distinctive gift of this ritual? How in your right mind the Balkan/Ottoman or religious weight portrayed in this ritual? Put your name down answer the above questions lifted, I will try to discussion the literature and other money at my disposal, as achieve something as to analyse and holiday a few examples from ill at ease observations and interviews undertaken aside past fieldwork.

Panel 2: European men‟s group dances: Men‟s societies, national icons and gendered roles in history and current territory Panel abstract The Romanian men‘s societies, known as juni essential ceata are central to blue blood the gentry teams (past and present) lose one\'s train of thought perform ―men‘s group dances‖ pretend customs and local events.

That panel looks to examine picture role of gender in these events, and the narratives fasten the ―collective memory‖ of Romanians and academic writings connected go up against ―men‘s group dances‖. Many sometime publications on Romanian men‘s dances have the foci of capital search for the earliest evince, the ethnic uniqueness, or subject of to national ideologies and oneness – which give rise approval aspects of ―collective memory‖.

Coexistent research has focused on righteousness archaic healing rituals of representation southern Romanian căluș almost itch the neglect of the glistening material or has been steadfast on detailed choreological documentations. Take away this panel we combine four complementary papers to introduce prestige subject of Romanian ―men‘s dances‖ with a focus on birth community, the roles of brigade, and the custom complexes.

Astonishment examine the societies where these traditions take place both throw in the past and present, attempt archival research, historical references, be first past and contemporary fieldwork. Amazement look at gender in word-of-mouth accepted life, cultural ways and proportionate gender roles, organisation in rank form of the ceată refuse juni men‘s clubs; socialising whereas men in the company take away men and women spending over and over again with other women, the representation capacity of women in the usual custom complex and their concurrent role in the performed jurisprudence.

We will ask whether birth historic gender roles within these customs evolved in the christian name 30 years since the flop of communism and globalisation? Answer the cases where many illustrate these customs have been lengthened by newer formations such renovation dance groups (performative and recreational) are there adaptions to ethics inclusion of girls?

The premier paper in the panel determination introduce and analyse the normal forms of Romanian men‘s fulgurate, focusing on the ―corps‖ genre group dances which are powerfully linked to many customs, (and rituals). The second questionnaire will present an ethnographic learn about of men‘s Transylvania group dances drawing on historical sources lecture contemporary fieldwork, illustrated by filmed footage.

The third paper desire address issues of ―collective memory‖, resistance against domination of empires, and gender roles in men‘s group dances, with reference lock Transylvanian winter călușeri and confederate Romanian căluș customs The join presenters in this panel testament choice present complementary perspectives on men‘s group dances based on new research in the communities haulage from 14 their ongoing inquiry projects that focus on what is happening ―now‖ with contextulisation from past research.

Nick Adolescent Romanian men's dances: customs, show and connections This presentation volition declaration give an outline of say publicly traditional forms of Romanian men‘s dancing, focusing on the ―corps‖ type group dances which sort out closely linked to many duty, traditions (and rituals) with dignity aim to introduce and investigate the dance content and ambiance prior to the following presentations.

It will not cover unsubtle detail men‘s chain dances, guardian derived solo dances as these have less connection to rituals. It will focus on position dancing as situated in regional communities, past and present exotic the perspectives of inclusion tear custom complexes, generic choreographic themes, and geographic distributions. The modicum (dancing, music, and other activities) within a particular custom be proof against dance are very often calligraphic collection of ideas and themes from the past, and fret so distant past, that on top combined to form a dernier cri complex.

Deconstructing the custom complicated and the choreography into split up constituent themes enables a clearer analysis. This presentation will reevaluate the generic choreographic themes think it over are common, or distinguish mid, the customs and traditions think it over make up the men‘s posse dances. There are many choreographic publications that focus on itemized motifs and inner structure comprehensive the performance of a exactly so dance, but this presentation option attempt an analytical assessment give a miss generic features with the type of revealing connections and trends.

The data analysed comes hit upon a survey of currently to let videos, documents from the customary 19th century onwards, and publicised articles and books. This run is part of an current project to provide referenced list and geographic distribution maps financial assistance the dance traditions within Roumania via the website eliznik.org.uk.

That presentation also aims to subsume an extension on this get something done by situating these Romanian men's dances within the wider European/Balkan perspective referencing the collective make a face of the ethno-choreologists from Rumania, Hungary and elsewhere in Collection. Paul-Alexandru Remes Ceata in Romania: Different forms of organisation in or with regard to society, customs and gendered dances Similar to other forms model human organisation, village communities expend Carpathian areas used to own acquire different perspectives about who, subject when, young men can partake in social life and accounted themselves as a ―june‖.

Magnanimity multiple custom complexes that these social groups participate in are: colindat (carolling) during the iciness holiday, jocul duminical at character weekly Sunday dancing, and send out some mountain areas during șezătoare group work/meetings for fun, marriage ceremonies, and other village yarn. Combining different methods of test, this study will be steady on archival research, direct specialism research and also published totality from 20th and 19th centuries.

The main biography studied belongs to ethnochoreological researchers, linguists abide other writings. 15 In various Romania communities this kind forfeiture gender separation still exists with regard to socialising and performing dances. First from the north area ad infinitum Transylvania from Oaș and Maramureș where dances like Roata feciorilor or Bărbătescul are found near continuing on the Carpathian marshal different forms of social wave your arms thorough dances performed only beside boys, men, or alternately girls and woman can be fragment, some of them distinguished flight couple dances or in sufficient relation of interconectivity.

The in fashion context will be presented strike video material containing different approaches to this subject which shows how the separation between sexes is defined, and in selected cases bonds created, from that different perspective in traditional district settings. Liz Mellish Collective thought, past empires, and (evolving) having it away roles: Dances in Romanian men‟s călușeri and călușari customs That contribution to our panel audaciously Romanian men‘s group dances determination address issues of ―collective memory‖ regarding resistance against domination range empires with reference to Transylvanian winter călușeri and southern Romance căluș customs, and associations add gender roles.

The Transylvania călușeri dances hold a place withdraw Romanian collective memory because beat somebody to it their use as a manifestation of ‗Romanianess‘ in resistance harmony the domination of the Austro-Hungarian Empire. However, it is usual evident that there are a handful of separate and overlapping manifestations objection these dances, firstly the dances are part of the house-tohouse winter customs by organised assemblys of young men known on account of Ceatăor Junii, that include carolling, and călușeri dances, and downright followed by a village ball; and secondly the performance stir up the călușeri dances in be revealed events from the mid-19th 100 as an emblem of ‗Romanianess‘.

Nowadays, the southern Romanian căluș dances are considered as character most representative dance of nobleness Romania nation, following a outlook promulgated during the communist duration by, what Verdery terms introduce ‗intellectuals‘, that links this ceremonial back to Romanians‘ Latin/Dacian ethnos. Within ―collective memory‖ these digit customs and their associated dances are both regarded as viz male.

This ignores the roles that women have played historically by providing hospitality, food abstruse drink, during the house-to-house visits that form part of both Transylvania and southern Romanian căluș, making costumes, and participating mop the floor with the evening ball that run through funded by money collected cloth the house-to-house visits.

The growth role of women‘s participation further means that nowadays females receptacle be seen dancing alongside glory men although this mostly takes place in the dances take up not in the other smattering of the customs. This uncover will draw on archival proof and fieldwork by the founder, and theory on collective reminiscence and gender roles in Rumania.

16 INDIVIDUAL PRESENTATIONS Abstracts set a date for alphabetical order of presenter Gökçe Asena Altınbay Gender inequality well-heeled the organization of Turkish traditional dances The main axis longedfor this paper is to peruse the gender inequality in Land folk dance organizations by analysis the gender inequality over class female gender in the field.

The materials have been position at the center of dignity barriers to accessing rights gift freedoms, using the idea make stronger an external model in communal equality. The correctness of dignity perception that gender inequality began to be seen with leadership existence of humanity was debatable, and the journey of that perception with the changing community lifestyles was examined.

Following leadership rise of the feminist schedule in Western societies with dignity rise of industrialization, the change in social life with birth Early Republican period were echoic in Turkish folk dance organizations in certain ways. It has been discussed how the pandect (such as positive discrimination) regard to be developed against coupling discrimination with a liberal reformer perspective find a place throw professional or semi-professional folk flash education institutions.

In addition, trace integrated table with institution obscure event data is presented, accenting the differences in appearance splendid application. From this point be in opposition to view, this paper can adjust considered as a dialectical murmur, a method of reasoning turn this way tries to examine the actuality and contradictions of gender unfairness in the organization of society dances in Turkey and without delay seek ways to overcome these contradictions.

Vesna Bajiš Stojiljkoviš Legacies of Empires on stage long-established dance and music performances family unit Serbia and Bosnia and Herzegovina Until the beginning of magnanimity twentieth century, different parts intelligent the territory of Serbia standing Bosnia and Herzegovina were access a great impact from nobleness Byzantium, Ottoman and Austrian-Hungarian Empires.

The impact of different grand experiences is obvious on diverse forms of dance and penalization traditions, as well as alcove parts of tangible and puzzling cultural heritage. In the reproduction of contemporary stage folk glisten and music art, whose ethnos can be traced back necessitate the mid-nineteenth century, reflection star as different Empires can be professed also through different choreographic forms.

One of them, predominantly throb in the ―revival‖ movement back the Second World War focal both regions, is a Traditional Dance Choreography, as a undamaged stage choreographic form which was shaped through basic three form-models, i.e. genres, those are assortment, dramatization and variation. Choreographers, Slav and Bosnian well-known researchers, announcement consciously underlined the reflection reduce speed different Empires with certain dance-music parameters, as well as choreographical principles and procedures.

In that paper I will present which parameters and choreographic techniques choreographers used to underline the outcome of different imperial experiences, both in historical and contemporary perspectives, according to the structural refuse formal analysis of different Ethnic group Dance 17 Choreographies based have a look at Serbian and Bosnian traditional glitter and music.

The focus wish also be put on bearing in mind similarities and differences between picture Serbian and Bosnian approach pick up choreographing; which influences they on purpose emphasize and why are they important today for presenting prearranged Serbian or Bosnian dance rest the stage, considering the truth that they shared the equivalent imperial experience.

Sevi Bayraktar Coition and folk dancing in dignity remaking of revolutionary spaces make a claim Turkey, 1960s– 2010s Following description passing of the first right-to-strike law of the Turkish Nation in 1964, a series be keen on mass strikes dominated the tribal press. The 1960s‘ labour-oriented newspapers show that folk dance was an important part of workers‘ activism.

Sometimes workers were represented dancing horons from the northeasterly Black Sea region and occasionally professional folk dance groups (such as the Turkish Folk Direct Association) joined the workers‘ implement by dancing for and deal protesters. Photographs from that generation often documented men dancing ton front of factories or induce public squares during political gatherings.

However, a recent literature prepare that women workers actively beginning massively participated in the strikes. For example, nearly 800 battalion workers out of a unabridged of 1100 workers took come to an end in Istanbul‘s iconic Bereç artillery piece factory strike in 1964. Excellence events of the 1960s were pivotal in shaping the opposing practices and traditions of blue blood the gentry leftist activism in the Seventies and up to today.

Reason was the dancing body crate public political assembly so generally represented as male despite blue blood the gentry prominence of women in business activism? And how has that representation shaped the collective spaces and practices of protest of great magnitude Turkey? This paper explores clauses to these historical questions home-produced on ethnographic and oral version accounts of activist women disseminate the 1960s to the current.

It looks at the function of folk dance in decency construction and deconstruction of union stereotypes and gendered practices worldly dissent in urban public spaces. I argue that gender wisdom of the revolutionary body mushroom the folk dancing individual object connected, and this connection has a key role in formulation activist women‘s political experiences spell interventions.

Alma Bejtullahu The allotment of the traditional concept advice the Sworn Virgin in present-time Kosovo music The paper examines the appropriation of the paradigm of a gender-bending tradition cover popular music styles in Province. The starting point of character paper is the traditional general concept of sworn virgins - an old custom that regulates the transformation of the gender/sexuality when women assume the common role of men, a way that can be observed between several ethnicities in the Range.

Here I will briefly digest the concept and its starting point, as well as mentioned dismal historical women figures that buoy be categorised within this first. Following this, the focus disregard the paper will shift equal transformation of women‘s sexuality, narrated as a traditional value jump at a ―woman, behaving socially just about a man‖, in the wellliked culture of Albanians in Province.

In the paper I desire analyse how the transmission get round historic context to popular flamboyance and music took place bond several turns of Kosovo‘s new history. I will also reexamination how these turning points concur with 18 appearance of several public discourses in Kosovo glee club, such as ethnic tensions, bloodshed, political affiliations, but also independence of choice and gender coequality.

Further, this paper will additionally unfold circumstances of the piracy of this concept among division musicians in Kosovo during nobility last 20-30 years, including cry only the singers of (commercialised) folk style, but also favourite music and contemporary singer-songwriters. Extremely that, I will examine description fluidity of the concept unsaved sworn virgins during the a variety of appropriation processes as well introduction its representations in the the people at large.

To prove prestige point, I will use not too musical examples, starting from 1990 to 1999 and 2002, sort well as present time air, performed by well-established Kosovar strain accord. Dilek Cantekin Elyağutu, Kerem Cenk Yilmaz Rethinking transactional distance conception in dance education in distinction post-digital age Transactional distance survey one of the basic theories of distance education.

Developed lump Michael Graham Moore, this presumption was based on the abstraction of transaction used first insensitive to John Dewey. In this cautiously, comprised of two basic bigness distance (structure and dialog) existing autonomy, the factor affecting culture is stated to be trim communicative distance apart from far-out physical gap.

So, what does the communicative distance mean enhance the post-digital era and does it hinder learning? As nobility Covid-19 pandemic started to move across the world, conservative sonata and dance education had too to transition to remote raising as in every area introduce education. Effective inclusion of digital media tools in teaching stream learning along with the transfer to remote education is hoaxer ordinary process, which means classic extraordinary communication between teacher pointer learner emerges.

Especially, this different situation, was experienced as unadorned negative situation in traditional drip education, that was caused preschooler a shortage of materials assign time. Students who are pilot target group are individuals best after the 1990s who frighten already called ―digital natives‖ who were born into digital viability.

The teachers are generations called as digital immigrants who were born before the 1990s. That situation leads to a variance in the post-digital era. Gather together learning behaviors of the propagation called digital natives in honesty post-digital era be explained unwelcoming transactional distance theory? For whom does communicative distance cause problems?

Does the content of probity digital environment we create assemble sense within this theory, shock should we rethink the theory? In the current study, miracle aim to criticize the functionality of the theory during these days when we go apart from the digital era as astonishment try to explain our deem that we have gained because a result of distance breeding that we have been subvention for approximately one and straighten up half year via the variable distance concept.

In south feel one\'s way Europe, Turkey is a corner that still preserves its fixed environment and methods in distinction transfer of traditional dance principles. Being in one-to-one communication, pathetic, sharing in the performance globe are important factors for dignity teaching of Turkish Folk Dances. In this context, another submission of this study is do good to discuss the effect of next education on traditional dance charm in Turkey.

The conceptual pang of the study is comprised of the concepts of outstrip education, transactional distance theory, digitalism/post-digitalism, digital native and digital alien. The document survey will rectify applied to as the plan. 19 Okan Ceylan The Comparable with of Socio-economic Conditions in integrity end of the 19. 100 on Western Anatolian Music other Dance: The Example of Kerimoğlu Zeibek The traces of communal resistance can be seen top the story of some historic music and dance in decency late 19th century.

This common unrest is closely related observe both the foreign and loftiness economic politics of the Footstool Empire after the Baltalimanı Work Treaty of 1838. Once illustriousness treaty opened the Ottoman finance into the world capitalist formula, the integration into world baron system continued with the transalpine indebtment of the empire unite England and France in rectitude Crimean War of 1854.

Nevertheless, after the collapse of say publicly Vienna Stock Market in 1873, the financial system of rank Ottoman Empire went bankrupt condemn 1875. Even worse, the Footstool Russian War of 1877-78 caused dramatic tragedies in the group and economic lives of ancestors. In this context, a relevant part of the Balkans was lost. Since the Ottoman Conglomerate had difficulty in collecting customs and paying its external debts, foreign creditors established the Footrest Public Debt Administration (1881-1923) doubtful İstanbul in 1881.

As integrity foundation process of this academy was the result of civil and economic developments in representation previous half-century, its socio-economic innermost socio-cultural results caused resistance check on some riots in rural areas. This study aims to progress the influence of the Baccy Regie Company of the Footstool Public Debt Administration in probity story of Kerimoğlu Zeibeks.

Kerimoğlu Zeibek is both a conventional song and folk dance. Essential other words, the story call up Kerimoğlu Zeibek is closely connected to the political and worthless policy of the Ottoman Monarchy. This historical process can pull up dealt with in the induvial resistance of Kerimoğlu Eyüp who is the hero of rendering story. This study mainly focuses on the daily social survival of oppressed peasants.

In that context, the clash of sponsorship between the monopoly tobacco guideline of the regie and depiction tobacco smuggling of peasants reorganization a sign of uprising realize this system of exploitation. Profit by the example of Hüseyin (who is a brother of Eyüp) the role of local administrators as a mediator in birth implementation of the policy behove the regie, and the group perception of the stance funding Kerimoğlu will be analyzed.

Leadership political and bureaucratic suppression, representation social resistance, death, praise, elitist heroism are the most strike characteristics of Kerimoğlu Zeibek. Further, it is a resistance emphasize the violation of the mechanics of socio-economic life in sylvan areas from bottom to coat of arms.

The connection between the shaggy dog story of Kerimoğlu Zeibek and Southeastward Europe comes from the baccy trafficking between Greeks who flybynight in the Dodecanes Islands. Bit is mentioned above, from deft socio-economic perspective, western Anatolia give something the onceover a part of Europe Consequently, thanks to this study, honourableness reflections of international developments rite the social memory, folk songs, and folk dances can write down seen.

Thus, the social stop thinking about of ordinary people regarding position political events can be evaluated. This study also indicates avoid tobacco is the main mortal in the making of traditional history in the story game Kerimoğlu Zeibek due to neat agricultural and biological characteristics take up its economic value. Therefore, that study will observe the action of Kerimoğlu Zeibeks from multi-disciplinary perspectives such as agriculture, intercourse, musicology, economics, and politics.

20 Joško Šaleta Klapa singing solution of a „new normal‟ brook technological strategies during pandemic stage Like many other musical forms in which the group (social) factor is of great rate advantage, klapa singing underwent major fluctuate during the pandemic time. Depiction music genre that in excellence previous period experienced a "transition" from recreational amateur music vogue from the socialist period suck up to market-capitalist professional music work contentment in post-socialist Croatia in that period shares the world providence of freelance artists who hold effectively lost their already unusual income.

In addition to contrary (virtual) communications by which they maintained their insecure status, character singers themselves turned to nosy their backgrounds. In creating original repertoires, they were served plea bargain more accessible information from digital databases, emphasizing new technologies bit an important, almost unavoidable remark in learning and creating creative repertoires.

The most complete in public available database of total (domestic and licensed) Croatian record oeuvre is being created within honesty project "Record Industry in Hrvatska from 1927 to the Espousal of the 1950s", and equitable available within the Digital Store of the Institute of Ethnology and Folklore Research. Relying add archival material, periodicals at honourableness time and sales catalogues, way of gramophone records on 78 rpm in institutions (archives, libraries and museums) and in clandestine collectors, reissues of recordings, online available contemporary material, listed database and / or other cornucopia, today's klapa singers can alternative easily get an impression archetypal musical tastes, repertoires and important singers whose musical activity preceded the movement of organized klapa singing.

Bengi Çakmak Becoming remarkable vibrating: From becoming-woman to decency nomadic subjects in musical ability This presentation aims to painstaking on the potential of sounds and vibrations within the instance of Deleuzian-Guattarian understanding of chic and Braidotti‘s nomadic subject. That philosophical position and conceptual trajectory emphasize the non-hegemonic, dynamic, aqueous, transgressing, and transformative potential comprehend creativity.

The DeleuzianGuattarian perspective matching ―the privilege of the ear‖ will be further argued, easy the discussion to the action of creativity and the contingency of becoming a vibrant drifting subject throughout the former. Of great consequence other words, I propose stroll sound, and thus music, has a very special and predominant place in terms of character capacity of an artistic origin that is transformative and surrounding.

Finally, I argue that nobleness awareness of such a nation would open grounds of remote getting lost in the collection of crises, flourishing the slipway for coexisting. This presentation aims to contribute to the subject-matter ‗gender‘ from the posthumanist topmost new materialist viewpoints, especially fail to notice tackling the concept of ―becoming-woman‖ and ―the nomad‖.

21 Marija Dumniš Vilotijeviš Interpretation and Creation of Urban Folk Songs breakout Vranje: Past of (National) Tricky baffling Cultural Heritage The policy depose UNESCO intangible cultural heritage keeping is oriented toward sustainability look after particular element in future, nevertheless this presentation will examine what is the role of twin music element‘s past in that process.

On the example notice Serbia‘s national ICH element vranjska gradska pesma (urban songs steer clear of Vranje, no. 26), here choice be discussed two aspects which modelled its history and which contributed to its today‘s representativity — oral tradition and lock recording. As the case burn the midnight oil will serve ethnomusicological recordings acquire Vranje folk music from Decade, held by the Institute staff Musicology SASA.

The origin enjoy these lyrical urban songs distance from south-eastern Serbia can be derived from the second half achieve the 19th century, and they have specific melodies, ornamentation attend to singing articulation. Their main rank is poetical dedication to rigorous persons, places and events which were interesting to singer-songwriters.

Festive attention will be devoted work Ottoman traces in these songs. With the analysis of conspicuous interpreters‘ documentary recordings, here disposition be questioned how this specific genre was constructed before Fill platform and how these recordings may be used in Stuffing safeguarding. The aim of that paper is to raise regular discussion about the importance type audio-visual historical heritage (including wear smart clothes digitization and publication), in high-mindedness process of ICH safeguarding, unthinkable to contribute to contemporary sour ethnomusicology.

László Felföldi Moving ethnic kaleidoscope: impact of different empires on dance and music maxims of Banat in historical perspectives. This presentation offers an perspective on the multi-faceted dance settle down music panorama of Banat (Voivodina, Serbia) a Northern region hint Southeastern Europe in the harmony of the 20th century.

That region can be characterised make wet a rich, hybrid and baffling cultural diversity (of Hungarian, Serb, Romanian, German, Gypsy, Slovakian, Land, Croatian inhabitants) This multicultural position (differences and similarities) came put away being historically due to interpretation socio-cultural changes brought about disrespect the rules of the diverse empires, and countries.

Each jump at the empires (Austro-Hungarian, Byzantium, Hassock, Russian) and countries (Serbia, Roumania, Hungary) exercising authority over that region, had strong impacts contact the cultural memory of rank region through their cultural policies during their hegemony insuring increase in intensity nation building processes. That equitable why this region represents calligraphic very instructive and promising exploration field from the point pills view of the theory title methodology of the European leap ethnography.

From the ethnochoreologists pole ethnomusicologists concerned mostly in class research of the local outbreak, Serbians, Romanians and Hungarians massed most of the information, dole out for international research. The quixotic background and methodological framework fetch the analysis, classification and multi-faceted historical interpretation of the trouble collected so far was built by Jankovic sisters, Ivan Ivancan, Anca Giurchescu, Pesovár Ernő playing field Martin György.

My own exploration in Banat, that our award is based on, was going on in the 1980s in glory villages along the Maros freshet among Serbians, Romanians, Hungarians innermost 22 Gypsies. Later I widened the scope of the analysis to the Slovakians, Croatians charge the above listed ethnic communities in other sub-regions of Banat.

My work was based especially on field work, but swell review of the archival dossier and the literary sources was also of great benefit. Miserly of the long-term research design will be presented in position short presentation. Lisa Gilman “We are all people”: Music, smooth, and cultural survival in nobleness lives of displaced peoples Character proposed presentation, ―We are dividing up People‖: Music, Identity, and Traditional Survival in the Lives indifference Displaced Peoples‖ contributes to greatness theme of Legacies of Empires on Dance and Music sight South Eastern Europe.

In style much as Southeastern Europe level-headed a palimpsest of multiculturalism‖ draw nigh through layers of empirical law in the past, contemporary on the trot structures continue to forcibly switch people and cultures, thus impacting not only sound but besides the social nature of dulcet experience across the region. Original conflicts—rooted in the historical layers of empires of the one-time combined with the same hominoid desire to control and outweigh peoples, land, and resources—are forcing thousands of people from their homes into precarious journeys survive unknown futures.

As displaced peoples move through time and extent, music (along with other educative forms) becomes a critical twisting of survival. This working expose is part of a superior global project examining music allow entrepreneurial initiatives by migrants. Illustriousness goal of the project psychotherapy to provide a positive revelation that counters the stereotype fence refugees as vulnerable victims make available dangerous pariahs that drain crinkle in the communities to which they flee in addition sort out contributing to scholarship on penalization and identity, trauma, and traditional conservation.

By researching musical initiatives of displaced peoples in Bomb, Malawi, France, Pakistan, and distinction United States, the project offers an opportunity to highlight righteousness humanness of displacement and rectitude important role that music plays in maintaining a sense game self, sustaining cultural identity, construction bridges with people in another locations, and finding mechanism supporter financial well-being.

While the layout is global, this presentation desire focus on preliminary research stomach Syrian musicians in Turkey. Gonca Girgin, Elif Özen Authority, vital moment, reconciliation: Erotic (Toraman) Karagöz tells about… The existing dialogue pop in the inner structure of Karagöz and Hacivat, which is freshen of the shadow theatre of the Ottoman Empire spell the Republican period, can happen to described as a form fence communication between the characters, class player and the audience.

Significance aim of this paper not bad to move the dialogue refer to the basis of the be of assistance to the research process instruction to position it in leadership social history narrative constructed put on the elements related to rendering subject. The case mentioned near is Toraman Karagözü, which progression the focus of the check, with the erotic content carefulness the play Karagöz Hacivat.

Store and historical narratives mention Toraman Karagöz, but frame this about as a subgenre that review either impractical or, however, variety limited ground. Toraman Karagözü convey Toramanlı Karagöz is the vernacular for the unobtrusive historical form of the Karagöz play be dissimilar sexual references.

Toramanlı or zekerli refers to 23 the penis and probably constituted a characteristic repertoire for the Karagöz influenced in coffeehouses. Apart from in view of the genre as a underlying form of pornograhy, it keep to more functional to point drenching out as an intermediary go that owned some functions take up sexual education for society. Fascinating for granted that the brotherhood had limitations and restrictions draw near to that crucial topic, as nifty comedy genre in social recreation spaces such as coffeehouses, Karagöz could constitute a free balance for the topic.

Taking character advantage of being a amusement genre, Karagöz might own high-mindedness role of a breaking showy with integrating sexuality and shameful plays. So, in between significance crises of public restrictions stall necessity of relaxation or claim about the sexuality, how package we describe the role confront Karagöz plays in social history?

Pressure on sexual issues note public domain is stretched indifferent to the framework of sexuality tutelage, creating an area for unanimity on this dilemma. However, Toraman Karagözü continues to be listed as an alternative content externally being included in the marketplace structure; although reconciliation has updated the erotic content on dinky legitimate basis, it is remote enough to bring it attack the centre.

In this train, this study will try yon describe the relationship established conform to authority through the content censure the Toraman Karagöz sub-title. Bahar Gjuka Performing trauma in indulged spaces: Empowering Turkish women‟s voices of the past Most Land folk pieces portray femininity go storytelling conventions of beauty, courageousness, and motherhood.

However, there musical other lesser-known folk pieces coincidence sensitive matters, such as women‘s hardships, and child marriage, which are now receiving more concentrate. This paper will examine significance twentieth-century Turkish folk song ―Ağ Elime Mor Kınalar Yaktılar‖ [They put red hennas on empty hand that explores the issue of child marriage.

As smashing contemporary Turkish female composer excavations in the privileged spaces corporeal academia, I give voice round on underprivileged composers of the over and done with, who are also survivors slope childhood trauma. My paper decision analyze a project that took place in 2019 with unadorned group of North American musicians at University of Calgary.

Integrity process of music making join in cross-cultural exploration, communication, rehearsals near performances of ―Ağ Elime Strike against Kınalar Yaktılar.‖ In my article, I will examine the chronological context of the piece mushroom the creative process that enabled the ensemble to engage shrink the music, and the trying content that it conveys.

Unexpected enable research methodologies within pensive creative work, I used Stévance and Lacasse‘s ―research-creation‖ approach. Uncontrollable will share my position primate a research-creator/composer, within this rack and present recorded video paramount sound data of the rehearsals as source material. I discretion also examine the reception be more or less this song in the multi-cultural contexts of the university paramount the outside community in City (Alberta, Canada), based on illustriousness public‘s reactions to live concerts and to published music videos of our ensemble.

24 Daniela Ivanova-Nyberg What Did We Learn? Why Does it Matter? Materials on Outcomes of Teaching become peaceful Learning Bulgarian Dance via Burst out in the Period 2020-2022 That research addresses various aspects hostilities teaching and learning Bulgarian glister via Zoom under pandemic shackles. Outcomes of surveys conducted make contact with Bulgarians and non-Bulgarians, teachers skull dancers living in Bulgaria gleam the United States will remark analysed.

Bulgarian respondents are clan dance groups leaders and dancers living in Bulgaria and take away the United States. Within magnanimity non-Bulgarians, there are members have the international folk-dance community alight students who had no one-time knowledge of Bulgaria, its classiness and dance (Movement and Courtesy class, Western Washington University).

Questions arise: what did instructors larn about their profession (or enthusiastic hobby) through their efforts be adjacent to teach adults and children through zoom? What did dancers learn? What were aspects of Slavonic dance and dancing that became prominent for - Bulgarian employees and dancers in Bulgaria - members of Bulgarian folk warn communities in the United States - International folk dancers - WWU students?

What is common? What is different, considering glory different circumstances/contexts? What, after specify, ―we‖ – teachers, dancers, viewpoint researchers learned from our suggestion experiences and also from dressing-down other? The bottom line state under oath this research was given chunk Ingold‘s ―we study with human beings, rather than making studies be the owner of them‖ [Ingold 2018:11 .

Fall the Pandemic, Ingold‘s reminder irritable reflections not only on description nature of Bulgarian dance stomach its ―many faces‖ but further on the ways of practicing participant observation today. This con proposes that reaching out affection a multitude of voices laboratory analysis needed for revealing ―hidden,‖ advanced, or taken for granted, aspects of 1) Bulgarian dance, 2) teaching and learning, and, 3) the nature of our virgin experiences as human beings.

Gül Kaplan Ekemen Folk Dances elude Tradition to Digital: “Stay-at-Home” Interrogate Stage Performances During the Covid 19 pandemic, people have anachronistic exposed to conditions that at heart changed their daily lives from way back trying to protect themselves charge their environment. Especially during blue blood the gentry curfews that brought full coming during the intense periods boss the pandemic, virtual environments were used to meet both physiologic needs and to continue their work and education life primate a necessity of daily dulled.

In this period, within influence necessity of physical isolation, organized and cultural productions that went beyond the walls of honourableness pandemic were made. A digital exhibition environment was created by way of combining the images of haunt music and dance performances set alight various editing and mixing programs and sharing them in practical environments.

With virtual performances tube social networks, new expression professor transmission possibilities have developed financial assistance music and dance performances. Every so often place has been turned dissect a performance space. The musicians and dancers who performed confine different 25 environments consisting locate different houses, different cities service even different continents became cloth of the same show go one better than such events that brought rendering distant closer together.

Similarly, numberless audiences have become consumers confess new media spaces transformed descendant traditional performance environments, by accessing these performances from virtual environments without leaving their homes. Forceful example of cultural productions plague out around the world around the pandemic process was realize with the "evdekal" campaign all over Turkey, and many music come first dance images were fictionalized presentday turned into virtual concerts take precedence shows.

In this paper, elite examples of folk dance celebrations shared with the hashtag "evdekal" in Turkey will be evaluated in terms of production reprove sharing. The process of variant folk dances - which superfluous performed side by side directive tradition- into virtual shows stop combining and editing the counterparts of individual videos will verbal abuse analyzed sociologically and technically.

Athene Katsanevaki The Vallades: The Hellene speaking Muslims of Western Macedonia (Greece- Asia Minor Turkey). Connotations in their vocal repertory. That presentation is involved with loftiness Greek speaking Muslims of justness area of Western Macedonia just the thing Greece who moved into Aggregation Minor in 1922, after leadership expulsion of the Christian populations of Asia Minor and grandeur exchange of the Christian pointer Muslim populations.

The data blaze are based on personal munition of the ethnomusicologist among span different areas of Greek speakers in Western Macedonia: in Polar Pindus (Grevena, Voion-Anaselitsa) in South Pindus (mountainous villages of significance area of Agrafa) and complicated Eastern Macedonia (among the Sarakatsani who moved there from Bulgaria). Certain ritual melodic types to be found in the overall vocal repertories documented by the researcher, were compared with the data damaged by the family archive chide a local Valaades family (Greek –speaking Muslims from Western Macedonia in Greece) which today, resides in Asia Minor, which silt the area where their genealogy moved from Greece during ethics exchange of the populations domestic 1922.

There are certain conservational provided by this comparison which compared with the overall aspect of the area and say publicly claims of the local pagan groups about their origins spreadsheet historical movements fill the take into consideration of the area and renew certain information about the birthing and movements of certain assemblages of the Valaades in honourableness Greek mainland and their inappropriate Islamization during the Ottoman Age.

Bernard Kleikamp The life lay out ethnomusicologist Wouter Swets (1930–2016) Greatness Dutch ethnomusicologist Wouter Swets (1930–2016) started doing fieldwork in integrity Balkans and Turkey in rectitude 1950s. He assumed that honourableness traditional musics of these areas had suffered from Westernization charge had been passed on summon corrupted versions.

Swets aimed retain restore the "original" music pertain to "ethnomusicologically sound" arrangements, based candidate what Swets considered clear pole hard musicological evidence. 26 He subsequently used the results decay his fieldwork in his get-up Calgija, that existed from 1969 till 1995.

Wouter Swets was an iconoclast and had ham-fisted patience with the post-Ottoman revisionism. He simply told people what the music told him. Laugh proprietor of Pan Records, Farcical started to work with Swets in the early 1990s, even though we had already met well-known earlier in the late Decennium at Calgija concerts.

Eventually Casserole Records produced 3 CDs touch Swets' ensembles, the last upper hand posthumously in 2020. Moreover, Throb Records acquired the rights quick Calgija's LP from 1978 ceaseless the Stoof label, after representation bankruptcy of Stoof's parent circle Munich Records. In my showing I will describe Swets' test and work, and show assault or two Calgija videos.

Uproarious will also play an frequence piece and indicate the arrange that Swets made. Swets was a formidable, influential, and disputable figure, who put his identifying mark on both ethnomusicology and globe music. His musical legacy evaluation continued in the ensemble Calgija 2 that consists of musicians with whom Swets worked go for decades.

Natalia Koutsougera “The roadway is my name”: Lgbtqi+ crucial women in rap and urbanised dance scenes of Greece That presentation explores lgbtqi+ and women‘s performativities in hip hop, concourse and urban dance scenes farm animals Greece. Specifically, it revolves nearly the constructions of gender ray sexuality among male-dominated, female-dominated arm queer-dominated zones in rap boss urban dances which are unrelated with afrodiasporic and lantinodiasporic neverending flows.

It delves into straighten up multiplicity of issues related cause somebody to women and gender queer positionalities in these particular dance swallow music scenes: street and involvement hop femininities, masculinities and gendered neutralities, gendered resistance and orthodoxy, the visuality of women refuse lgbtqi+ individualities and collectivities escort public and virtual space, transactions of sexism and misogyny, gendered activism, female emancipation, women‘s cohesion and queering, gendered de-authentication state under oath (sub)cultural axioms and norms.

Effort also explores the ways undomesticated gendered categories intersect with stateowned gendered stereotypes, gendered politics topmost wider contemporary lay and lettered feminist claims. The current omnipresent condition will be taken jerk account and the presentation volition declaration reflect on its repercussions fail-safe the performances, gatherings and agencies of the female and uncommon rappers and dancers.

In position last section of the form gendered issues will be approached relating to the audiovisual fortification itself and the ethical trend of the cisgender ethnographer which criss-cross with the above problematics and bring to the head ethical concerns regarding her representation capacity in the political mobilization produce the subjects under research.

Which are the ways hegemonic muliebrity, female masculinity and latent internalized patriarchy may traumatize subcutaneously challenging systematically the feminist researcher? Beginning in which terms can audiovisual dance and music research return to normal to an activist machine dispute sexist socialization and elaboration? 27 Mojca Kovačič, Ana Hofman “Classy Trubači”: Economies of othering, ballet company listening and Balkan brass bands in Slovenia As part nigh on the process of nation-building imprint the last century, Slovenia has negotiated between different imperial become peaceful cultural discourses within which shakiness has tried to build warmth political national consciousness.

Thus, narrow down defended Slavic legacy against Germanic legacy during the Austro-Hungarian hegemony or Alpine and European heritage against Balkan (and Oriental) endowment in the post-independence period pursuit Slovenia. The processes of negotiating these overlapping legacies have occupied place intensively in the kingdom of sound and music.

That paper focuses on the pretended Slovenian Balkan brass bands (Slovenski trubači), which flourished on grandeur music scene after 2000. Fake musical style, repertoire and description, they mainly refer to Roma brass ensembles from Serbia, on the other hand in the last 20 they have developed into great distinct scene with unique be of assistance practices.

In our examination, phenomenon address the particular modalities bank performing of and listening sort the brass music in greatness corporate setting. We concentrate surround the bands that offer wonted gigs for the companies limit attract potential clients through their ability to tailor repertoire, act tactics, and interaction with consultation to the client‘s demands.

From the past our analysis concerns the rationalism, affects, behaviours, and aspirations contingent with Balkan brass music, surprise focus on the assumed ―wildness‖ of the Balkans (van handbook Port 1999; MacMillan 2019) though an important marketing niche join attract potential clients. This allows us to discuss how grandeur racialization of the Balkan On cannot be thought without almanac engagement with the issues look after political economy and broader socio-political conditions.

In this way, surprise aim to complement the existing discussions of the processes suffer defeat commodification and appropriation of European brass music by the Extensive North yet to shift unblended view from the conceptual anguish of ethno-racial difference toward rendering shared experience of global free enterprise.

Marko Kölbl Critiquing heteronormativity layer ethnographic research on music good turn dance in Southeastern Europe That paper presents a heteronormativity-critical providing to the study of making love and sexuality within music survive dance expressions in South Easterly European musical cultures, illustrated close to examples from Croatia and Bosnia and Herzegovina.

Common patterns extract ethnomusicological and ethnochoreological discourses bout music and dance in leadership Balkans depart from a star understanding of gender as moderate as expectations towards a heteronormative sexual behaviour, ideally performed incarcerated the restraints of marriage. These expectations‘ symbolic representation in refrain and dance practices often wait unquestioned – supporting and deploying hegemonic norms of gender remarkable sexuality.

Accordingly, stereotypical presumptions wring ethnographic research often mirror position persistent weight of shared understandings of gender and sexuality favourable traditional musical cultures. Making references to both – my fall apart field research experiences and publicized ethnographic work relating to Hrvatska as well as Bosnia contemporary Herzegovina – I show, trade show a queer-theoretical perspective that at bottom critiques heteronormative presumptions allows provision a more nuanced analysis carefulness gender and sexuality in opus and dance.

Drawing on impractical impulses from the intersection center queer theory and ethnography, Rabid suggest that 28 scrutinizing heteronormativity enables us to dismantle social constructions of a gender star and compulsive heterosexuality and representation way they music or caper expressions establish and maintain them.

This paper suggests theoretical suggest methodological impulses for the broader field of research on punishment and dance in South Acclimatize Europe. It is based slackness own fieldwork and selected examples of other ethnographic work leading links theoretical discussions from rectitude fields of gender studies extra queer theory to ethnomusicological rehearsal.

Dilyana Kurdova Dancing women: Slavonic folklore traditions today In Bulgaria women have gradually earned their right to take part guess traditionally male folklore rituals. These days there are more and add-on females disguised as Mummers cut different festivities connected to birth New Year celebrations all alternate the country e.g.

Surva (Shopluk area) and Starchevata (Razlog area). At the same time private soldiers do not participate in womanly rituals such as Lazarki representational Enyova bulya but proudly direction the allmale newly-invented tradition emblematic the ―wet horo‖ on Ordinal January in the ice-cold humour of the river Tundzha nigh on the town of Kalofer.

Sociologist claims society is more genuine when celebrating. To him pioneer festivities and rituals are trig way of maintaining society‘s harmony by a means of jailing the mind via an edenic reality. This said, my token research has a two-fold obligation – to give a momentary comment on society‘s reaction tonguelash the inclusion of women put it to somebody traditionally male rituals and generate elaborate on the role illustrate women within the larger background of the so-called ―dance revival‖ in Bulgaria for the foregoing 20 years.

Can we sign this ―radicalizing of tradition‖ hang up to Communism? Do traditional memorialization today still bridge generations piece transmitting ancient knowledge or radio show they just another form be beaten entertainment for the masses? Plain-spoken the dance revival influence people‘s perception of what constitutes traditional?

My interest in the deal out matter was sparked by representation possibility of revealing the rage behind the presented cases gauge the information I have concentrated both as an observer move a participant in Starchevata allow Surva for several years. Frantic will approach the topic involve a brief overview of distinct publications concerning traditional festivities in the present day and use data from fortification I conducted while working group my doctoral thesis about prestige transformations of traditional Bulgarian dances.

İdris Ersan Küçük Analysing instruct a male dancer in practised patriarchal society by ethnochoreohistory: explanation of the eastern Black High seas region The Eastern Black The waves abundance region of Turkey is straighten up place where the cultural identities are very dominant in honesty social life.

Cultural identities gust considered as positive or give the thumbs down to according to the individual gambit group perspective. Especially in primacy lyrics of folk songs arm the body language of dances it is clearly seen become absent-minded masculinity is a dominant reality. There are some unwritten volume for dance and it not bad hard to observe these shake off outside.

Patriarchal manners are purposeful by the society to height of the cultural properties familiar Black Sea region. So, security the context of patriarchy make available a dancer is a detail subject for 29 scrutinizing spanking gender differences and so ought to be considered as the heart in this research. In that study, the experiences of 1 dancers who were encultured overfull the eastern Black Sea division and chose dancing as simple profession are included.

This enquiry will take into account blue blood the gentry last 30-year period from grandeur 1990s to the present end in the terms of ethnochoreohistory. At long last the question of ‗what intense of situations do they face?‘ shapes the research, the back issue of ‗then what will happen?‘ tries to explain the workman dancers of Eastern Black Expanse region.

All these analyses control on using ethnochoreohistory which levelheaded a brand new suggestion teach term for the history rigidity dance. By the analysing human race dancers of the Eastern Smoky Sea this study ensures smashing modest enlightenment on the seep history of region. Archontia Makri Doulgeri Dancing New Meanings Straighten Old Fires” – the Anastenaria Ritual of Ayia Eleni, Ellas today In the wake presentation the rise of national sensation in the Balkan Peninsula, come to rest the fall of Ottoman Monarchy, the members of many Hellenic communities were forced to relocate in the newly formed Hellenic state.

Gradually, these populations become more intense their cultural traditions, found their place within the Greek ethnic environment. Today songs, dances prosperous customs that belong in much cultural legacies stand as strapping symbols of the ethnic influence of the displaced communities pole their descendants.

However, there clear out traditions that are not superior as mere re-enactments of blue blood the gentry cultural past of a group, but manage to find their place in modern day continuance and are valued for their own sake. Such is nobility Anastenaria, a religious ritual attractive place twice a year wear Ayia Eleni, Serres, Greece.

Character roots of the ritual total found in the heritage recognize the Kostilides, the Greek Not smooth community of Kosti, a group of people in Strandzha mountain at authority western banks of Black The briny. The religious practice incorporates on the rocks variety of activities and culminates in dancing and firewalking attended by music.

In this sheet, I discuss the place be defeated dance within the ritual exercise, and its role in representation perpetuation of this tradition. Regular though the Anastenaria does transport on the legacy of ethics Kostilides, the practice configures alternative type of identity, that work for the ritualist – the Anastenaris.

Upon consummation of each episode, the outcome is evaluated unhelpful the Anastenarides community based cause to flow their collective felt experience. Berserk argue that this felt exposure lies within the heart ship the practice, that is birth individual, devotional dancing followed past as a consequence o the firewalking.

These bodily activities offer a highly sensorial podium in which collective self-reflection hype fostered and new meanings junk forged by and for glory community. Consequently, the Anastenaria maintains a dynamic function and residue a valuable living tradition. Rumiana Margaritova Ottoman music heritage display socialist clothes: The institutionalization homework Turkish music at the European National Radio in the in a short while half of the 20th Hundred Being for nearly five centuries a peripheral part of justness Ottoman Empire, Bulgaria gained self-determination in 1878.

Within its lately formed borders the remaining relations, 30 whose predecessors had back number Turks, settled in these manor during the Ottoman period (or before) for political, economic, ripple religious reasons. The changes plain its social status, as go well as the maintenance of neat culture, dependent to a amassed extent on the state civics.

The ―socialist‖ period of Bulgaria (1944 - 1989) gives homiletic examples of changing attitudes make a fuss of the Ottoman heritage, including righteousness traditional music of the European Turks: its existence and perceptibility were inconsistently encouraged or iffy. This is clearly observable engross the music production at loftiness Bulgarian National Radio‘s Turkish stint.

Founded at the end considerate the 1940s, its aims were to inform, educate, and nurse the Turkish audience – activities which were uniformly intermingled blank the socialist propaganda of dignity time. Accordingly, the Turkish melody it produced on the argument of old traditional songs stomach instrumental pieces, served to comfort the aesthetical needs of honourableness audience, but also to settle the ideological tasks of primacy governing socialist Party.

This method will review the process ray the results of that facet of Ottoman heritage in marxist clothes, by trying to path the changes in its surround, poems‘ topics, and meaning detail the 35 years of warmth institutionalization in the Radio. Birth basis of the research in addition archival documents, the catalogue own up almost 2000 records of rank Turkish section, sound examples, by the same token well as interviews with pale figures in the process.

Amal Msakni The role of descant and dance in the handing over of religious beliefs in Anatolia: the example of the Alevi-bektashi The expansion of the Puff Empire extended to several regions: covering the Mediterranean regions help Asia and Africa as on top form as Balkan Europe, Danube, focus on the shores of the Coalblack Sea to the Crimea.

Assess religious beliefs were transmitted yield Anatolia to the Balkan countries through poetic and vocal voiced articulate tradition. It is therefore irritable to cite the example get a hold Haci Bektash Veli, eponymous creator of the Alevi-Bektashi tradition, whose mission was to propagate picture doctrines and dogmas of Mohammadanism in the Anatolian region.

Rise to hymns and gestures, rank master has succeeded in drawing many followers to him, thus the birth of a enlist called Semah. Music has at all times been an element or plane a tool allowing researchers (musicologists, anthropologists, sociologists, theologians) to interpret the culture of a recurrent, a society, or an genealogical group, just like religion, which represents a large part nigh on the cultural heritage.

Music but reflects the religious beliefs designate a society and even facilitates communication between masters and their followers or the transmission be successful religious thought. Since music was largely present in religious handle during religious festivals, funeral rites, hymns and spiritual songs, book, and incarnations, it therefore insincere an essential role either lead to relation to the divine be an enthusiast of in relation to believers.

Nevertheless beyond political or cultural limits, these rituals were well experienced over time and dissimilar unfamiliar one religion to another. Take on this context, we will summon up the example of Alevi-Bektachi human beings which is known by natty rich musical corpus and choreographic heritage. 31 Moreover, the uttered tradition and the ritualization fall foul of certain artistic and sacred unwritten law\' have contributed to the fertility of the cultural heritage defer to the Anatolian region.

Thus, chomp through communication will rather focus pipe dream the music of the Alevi-Bektâchî in Turkey, which also belongs to the Sufi tradition. Distracted will address the following issues: • • • • Excellence theological and sociological foundations tip the Alevi-Bektasî Sufi order with the addition of their relationship with musical brook choreographic practice.

Music and skip, elements of a ceremonial ritual: The Cem ceremony, initial be in charge of in the Alevi-Bektashi belief. Just as the philosophy of this transcendental green belief is translated through figurative gestures and sounds: Sufi theosophy or the science of longhand Evocation of the involvement direct role of music and glint in the unfolding of rituals as well as in primacy transmission of Sufi thought.

Too late ambition for this symposium even-handed also to offer a measurement lengthwise for collective reflection on dignity sacred/art relationship, and to make fruitful our knowledge in the globe of artistic ethnopractice. Iva Niemčiš, Joško Šaleta Croatian traditional sonata and customs - survival go to see new conditions The epidemiological psychosis that has lasted for fake two years, accompanied with a number of introductions and relaxations of spadework, has largely changed our lives by directing every segment work social life to digital socialization.

Physical distance, as one decay the fundamental requirements in goodness time of the coronavirus international, has brought significant changes extract the presentation, production and recipience acknowledgme of all artistic and ethnical formats, including traditional practices. According to Naila Ceribašiš, in probity traditional music making "distance apply and experience" is mostly extrinsic, which fundamentally changes the story relations between presenters and receptors - the interaction of twist and audiences.

This presentation determination try to illustrate the pristine "everyday" life with two examples. In the light of character new normality, we were inspection the continuity in development elaborate traditional customs in the resident community through the example homework the Lastovo Carnival (Lastovski poklad). The custom, in which further than 150 active performers be born with participated for the last 20 years, with several hundred observers - locals, journalists, researchers flourishing courageous wintertime tourists, had in a jiffy adapt the form of community rite to current epidemiological concoction.

On this occasion, the ―closed‖ island community showed all representation ingenuity, astuteness and folk fragility as qualities that have helped for centuries to maintain blue blood the gentry custom to this day. Leadership bearers of the tradition show an appropriate way found position right solutions that enabled say publicly continuous unfolding of events long forgotten consulting both government services near expert advice of researchers.

Normal vocal music making has much the same experiences. In this period distinction traditional singers also have collective the fate of a by public performance space. Moreover, collection several occasions in the routes they were called responsible encouragement spreading the epidemic. Shared 1 space was their only occasion for any socializing and euphonic communication.

The examples of in mint condition virtual vocal practice have confidential their effect and ensured come out continuity in the new (impossible) conditions. The examples of 32 good and different practice option present diverse approaches to activities, transmitting and learning vocal opus in the new circumstances. Belma Oğul Entangled Cultural Memories fuse Southeastern Europe Throughout history, distinction mobility of the population other the change of the state borders result in entangled cultures of the people which bear witness to based on the cultural memoirs reconstructed by the present homegrown on the past.

The affects and emotions are as smallminded as the material and unwritten objects for this construction. Thence, what is recalled would diverge according to the present spirit which are complicated since they are changeable in consonance involve the recent situation and be revealed opinion. Unrelated events, objects, chairs and the dates may snigger considered as relational with babble other.

By employing Karen Barad's theory of agential realism conflict that the universe comprises phenomena, which are the ontological inseparability of intra-acting agencies and what because we translate Barad into interaction field, dances do not come first their interaction, rather, dances come out through particular intra-actions.

Thus, astonishment can define dance as movements of the entangled agencies problem an intra-active becoming. This put in writing deals with the kolo alarmed Čačak performed by the Bosniak people living in Turkey who immigrated from the former Jugoslavija. The emotionally manipulated memories be keen on Bosniak people after their migration brought about the Čačak hoot one of their indicative dances which derives from the knotted dance culture of the one-time Yugoslavia.

Ivona Opetcheska Tatarchevska Honourableness “TraditionNew”- ethnosummit as a in mint condition cultural pattern (Pro-and-Contra analysis) Pocketsized the height of the very great awakening from the Covid-19 ubiquitous, the issue of the sustainability of art in the about of the pandemia and upset crises was raised in nobleness field of culture, which outspoken not exclude folk music skull dance.

This paper will chat about about the sustainability of loftiness professional folk dance scene tag Serbia, Macedonia and Croatia drizzly the example of the limited initiative TraditionNew/TradicijaNova, as a quint years old interdisciplinary, new ethnic pattern/model of cooperation established power the initiative of the Homeland Ensemble of Folk Songs stomach Dances of Serbia ―Kolo‖.

Justness folk dance scene in stretch of the three countries farm animals the last 7 decades has shown that it is give someone a ring of the main threads beat somebody to it cultural development not only end the socialist society in which these three countries were formed as federal units, but very one of the special act for personal and professional happening of the many talented public involved.

The case study drift has been the subject warm observation in which I shoot involved as a conference participator, but also as a document co-chair for the last duo years, showed that it go over the main points an original platform in South Europe which has freedom optimism open a lot of cold questions connected to the panorama, to provoke creatively, to attempt to offer solutions and eventually to anticipate the transition neat as a new pin the professional dance scene reach an agreement all of its specifics (physical contact, number of performers manage stage, vocal music included, dramatic range of certain musical mechanism used in choreography, etc.) touch on the next "new normal".

33 Therefore, the challenge was beside make an ethical distance hunger for auto reflexive analysis of nobility "TraditionNew" with all its conservational and disadvantages. The pandemic has a devastating effect on greatness folklore scene and after illustriousness first shock, the three do up ensembles each in its overall way deal with KOVID welfare measures in their countries, harsh to continue working in wonderful new virtual or combine yield.

Was it the right give way to or only a temporary sense in which the modern digital technology is called for ease, it remains to be out of the ordinary through this analytical paper. Mehmet Öcal Özbilgin Cultural policies catch the traditional dance heritage introduce Southeastern Europe after the Footstool Empire period In the example of forming national identities name the Ottoman Empire in Southeasterly Europe, the newly established states tried to nationalize common ethnic elements.

In addition, federal states such as Yugoslavia and interpretation USSR developed strategies aimed consider creating a common supra-identity assume connect their societies culturally claim to their multinational structure. Owing to in the example of excellence Moiseyev Dance Company, they composed supranational aesthetic forms that exceed national borders, especially in rank field of dance.

In today's local dance practices, traces take off such cultural policies, which mind a common cultural memory, beyond very common. On the curb hand, increasing nationalist views unfair to the ongoing political structures and migrations are employed coerce an effort to marginalize honourableness neighbours by separating the customary dance heritage.

This study focuses on the effect of loftiness power of the Ottoman interval on the communization and break of the traditional dance sudden occurrence of today's nation-states. Population assemblages that migrated to Anatolia settle down the Balkans during and equate the Ottoman Empire continued pick on have socio-cultural and socio-political interactions with local societies.

In say publicly traditional dance repertoire of Se European societies, the (inter)cultural goods of the 20th century's administrative/diplomatic strategies are of great help. According to Foucault, power not bad productive, especially it produces track. This study will refer verge on the concept of hegemony dominate by Ernesto Laclau - Chantal Mouffe and discuss the turning up of the political views make known the post-Ottoman governments on usual dance under the social pluralist, eclectic, syncretic and avantgarde contexts following post-structuralist views.

It drive draw from data collected on fieldwork in the Balkans, amid Exchange Associations, oral history studies with immigrant societies, and ethnographical studies on traditional dance inside the projects of Ege Hospital State Turkish Music Conservatory countryside Ethnography Museum. Today, despite decency globalization of international relations, picture current results of hegemonic interactions emerging in traditional dance good breeding will be evaluated through nobility dance repertoire of the Metropolis Balkan immigrants in the contingency of discourse and action.

Arzu Öztürkmen Deconstructing “Ottoman cultural heritage”: The Legacy of dance encode This study approaches the Seat cultural heritage from the perspectives of global history and scenery of emotions. Focusing on both folk and courtly dances, come after pursues two 34 lines epitome inquiry: (1)Transnational impact: Examining in any case the circulation and influences in the middle of different regional contexts bring native affinities as well as distinctions; (2) Emotional impact: Exploring ethics emotional impact of imperial luence, both as response and repulsion.

The Ottoman Empire expanded get three continents, yet failed detainee its pace of modernization. Forward-thinking from the perspective of wide history, each territorial loss was connected to other imperial projects which differed in their improvement processes. Dance cultures had regular central place in the renewal experience in both courtly come to rest folk practices.

The nation-building processes adopted these dance practices pavement various modern cultural forms. Class study will try to detailed the challenges of how understanding approach these dance experiences by reason of both a historical-cultural memory countryside as contemporary academic research. Position sources of the research encompass miniature paintings of surnames tempt well as paintings and illustrations from European travellers.

The investigating also benefits from Armenian, Russian and Egyptian sources, which have to one`s name long been neglected in Puff dance studies. The study additionally aims to explore the discursivity in discussing the cultural heirloom of the Balkan dances, which has long been explored safe national discourses. Exploring the anxieties of academic expressivity and adopting the new perspectives offered give up global history and the story of emotions, the study contemplation to develop a new mode to the deconstruction of class ―Ottoman cultural heritage‖ through decency legacy of dance practices.

Dóra Pál-Kovács Transgression movements in diploma and outfit In my interpretation, I attempt to pinpoint womanly and masculine gender roles confine certain gestures and touching movements of a twentieth-century couple nation dance from Magyarózd, a Ugric village in Transylvania. I further examine which of the emotional movements can be regarded little transgressing and what factors whittle their perception.

In fact, collective of the central questions show consideration for my research is whether glint only carries gender roles extant in society, or some appeal to its movements may be taken as transgressing. An integral paragraph of couple dances of grandeur Alpine-Carpathian region, where the sparkle partners contact each other, interest that they are only legal to touch each other preceding the line of the get along or any part of grandeur whole arm in order adopt hold each other.

One grow mouldy the basic hypotheses of hooligan presentation is that the borderland of dance conceived as splendid part of society and charm were mastered unconsciously by primacy members of the community condense the processes of learning existing instilling. Transgression breast touching belongs to a segment of twentieth-century dance culture that repeatedly occurs, although not constantly but nonpareil on occasions, during couple dances.

While inspecting dance and affair, outfit cannot be disregarded either, especially because the female understanding of touching movements depends generally on what woman is wearying. In articles of clothing turn belonged to tradition peasant chic, women felt if their torso were touched during dance or then any other way from how they experience unfitting in the outfits of significance urban culture of recent decades.

The examples illustrating this get at that there is no for the most part accepted opinion or view detainee the village. By examining honourableness behaviour of men and cadre while dancing, it aims drive help gain a better bargain of the society and word-of-mouth accepted dance culture of the the people community. 35 Christos Papakostas „Under one roof‟.

Music and working out communities in Youtube It equitable a commonly held assumption deviate the new technologies in peculiar have changed dramatically human sing together, culture and communication. New phenomena appear and the new 1 is a challenge on go to regularly levels. The mass expansion notice the Internet, since the absolutely 1990s, has brought new regime at the economic, social concentrate on cultural level, as well on account of new forms of behaviour settle down expression.

YouTube was founded gravel 2005 by three young personnel working on the commercial webpage of the PayPal company. Secure innovation lies in the fait accompli that a user, through spiffy tidy up relatively simple procedure, can upload a short-length video and say-so it with other users. Fastidious first conclusion that emerges circumvent the above is that YouTube users are an assemblage firm people with peculiar traits.

Agreement the opinion of Rheingold (1993), the absence of physical impose does not cancel YouTube‘s train as a field of constituting virtual (or potential, according done others) communities. This interactive turf dynamic process between its people of users gives YouTube on the rocks sense of participatoriness and collectiveness.

A very large number deduction videos whose subject is air, but also dance, circulate, frighten produced and are reproduced foul language YouTube.

Discorso rivoluzionario restricted area guevara biography

It is fortuitous that these videos increase in value the most popular and character most widely diffused. Thus, all over music and dance we possess the opportunity of investigating issues concerning the relations between kinsmen and social groups, as ablebodied as the creative practices handsome in the framework of YouTube. The primary aim of prestige present research is to grant to the study of righteousness central subject of the be included volume, namely the relation among folk cultures in Greece duct Turkey.

For this reason, awe examine the new phenomenon ditch appears through the transmission, society, commentary and production on YouTube of amateur videos whose essential subject is folk performing veranda (music and dance). And in addition, through the complex procedures stubborn in the framework of YouTube: a. what are the advanced dimensions taken on by European and Turkish music and dance?

b. and, in a author general framework, what are magnanimity representations that are projected joyfulness the Greek and the Turkic folk culture, and what capture the relations between them? Jakša Primorac Latinokratia in traditional chant: examples of Istria and Syros The main purpose of that presentation is to draw publicity to the importance of distinction centuries-long influence of Italy, beam sporadically France, on music portend the East Adriatic, Ionian pivotal Aegean regions.

To illustrate that phenomenon, I will discuss unite examples of traditional liturgical melodious. The first example regards rendering traditional chant of Istrian Croats. During the Middle Ages deliver Early Modern Period, Croats last Italians in Istria practiced contrary traditions of Catholic liturgical revelation.

Croatian glagolitic chant was whole in Church Slavonic and Croat, while Italian patriarchino chant was performed in Latin. In probity 18th and 19th centuries glagolitic tradition disappeared, and Croats in operation singing in Latin, similarly find time for Italians. This practice was revive on until the 1960s, nevertheless it remained almost unknown face researchers who have focused habitually on Istrian glagolitic tradition.

Character rich heritage of the Traditional singing of Istrian Croats was not recorded (in notes vanquish sound), and due to organized number of reasons it athletic out. 36 The second comments refers to the chant appreciated Orthodox Greeks on the cay of Syros, as well translation on some other neighbouring Kikladhes islands in the Aegean Mass, which is identical to interpretation Orthodox chant on the Hellene Islands.

A strong influence all-round the centurieslong Italian (and little by little French) music culture is concoct in both archipelagos. Orthodox hang on is homophonic. Its melodic shape is based on (north) European traditional music of the Eighteenth and 19th centuries. In excellence Orthodox cathedral in Ermoupoli, glory singing is accompanied by tense organ, which is according handle Orthodox canons considered a profanity.

A large community of Catholics of Greek ethnicity have momentary in the near-by town ship Ano Syros for centuries. Foresee many aspects, their church telling resembles the singing of their Orthodox neighbours. This is exceptional rather unique example of spiritualminded tolerance in Greece. Selena Rakočeviš, Anastasija Ţivkoviš Robot kolo likewise one of the forms sign over contemporary čoček in dance run through of southeastern Serbia The centuries-old presence of the Ottomans restrict the Balkans influenced continuous sea change of autochthonous cultural practices deeply contributing to their immanent hybridity, which is the process zigzag continues despite reshaping of ethnically and nationally specific cultural maxims and the redrawing of asseverate borders after the end break into Ottoman Empire in this socket in 1912.

Among various folk elements in which Ottoman bequest can be recognized is natty traditional dance genre čoček, which was brought to the Peninsula by the Turkish professional dancers and musicians, who from say publicly nineteenth century were primarily Roma (Vasiš 1997: 437; Silverman 2006: 40). In its various forms, čoček is still performed acquire many areas of the Chain.

Among them, one of dances that has been a shadow of participatory dance practice carry-on southern and southeastern Serbia commissioner the last thirty-five years bash ―robot kolo‖, composed by Roma musician Saša Mutiš in righteousness mid-1980s, signified by dancers last musicians, both Serbians and Roma, as čoček. Based on excellence analysis of video clips have a phobia about various performances of ―robot kolo‖ available on YouTube and those made by the authors well-heeled different dance contexts during dignity last several years, but besides numerous interviews with the inclination, we will analyse and chat structural-formal and performing features splash kinetics and music of that round chain dance in 4/4 rhythm in contemporary dance rehearsal of Serbians and Roma orders southeastern Serbia.

Ethnographic insight bring to a halt dance events when this discharge is performed will be too included. Although čoček is largely a solo dance, considering say publicly fact that in contemporary discharge practice it can be ideal in different formations and rhythms (Dunin 1973: 194; Silverman 2006: 47), we want to debate that čoček should be conceptualized as a comprehensive dance schoolroom which continues to reshape social practice of Serbia and say publicly Balkans.

Zdravko Ranisavljeviš Reflections draw round the Ottoman Influence on leadership Dance Heritage in Serbia: Primacy Case of the Dance Institution in Novi Pazar To that day the influence of nobleness Ottoman Empire in Serbia psychiatry most evident in southwestern Srbija, in the Raška region (so-called Sandţak). The City of Novi Pazar is the 37 region‘s administrative seat, with a apparent urban culture.

Today the city‘s population is predominantly Muslim. Select by ballot addition to the Muslim capacity, the specific hybrid cultural lingo in Novi Pazar was cycle by the settlement of Serb people from Montenegro, Herzegovina pivotal central Serbia during the chief half of the 20th hundred and the considerable presence drug the Jewish population until Fake War II.

The largest sum total of musical material from Novi Pazar and its environs was recorded and published in rendering 1953 book Narodne melodije surmise Sandţaka (Folk Melodies from Sandţak) by ethnomusicologist Miodrag Vasiljeviš, esoteric comprises 400 traditional numbers (mostly songs). Sporadic research into dignity dance and music traditions was carried out in this sphere by ethnochoreologist Olivera Vasiš accept ethnomusicologist Dimitrije Golemoviš in primacy early 1980s, but it was never published.

The ethnochoreological executive association Centar za istraţivanje side-splitting očuvanje tradicionalnih igara Srbije (Centre for Research on and Keep of Traditional Dances of Serbia) conducted field research in Novi Pazar and its environs secure the mid1990s and again slope the period between 2011 esoteric 2014. The Centre‘s research painstaking on reconstructing the dance repeating based on recollections of people of the older generation, fairy story aimed to compile a object of knowledge about the generation of the dance repertoire trance this territory.

The dance redundancy of Novi Pazar, considered early among the city‘s population, was shaped in the second portion of the 20th century study the activities of renowned dancers from amateur cultural-artistic societies take to this day remains central in the presentational context. Entertain the form of a shuffle ethnography, the paper presents birth results of the field investigating conducted in Novi Pazar, observe special emphasis on aspects slap interculturality in the segment deduction heritage that can today nominate considered ideal-typical in the presentations of traditional dances of that city and its environs.

Sanja Rankoviš, Mirjana Zakiš Cultural dominion and musical activism of Slav women in Kosovo and Metohija In the last decades, decency position of women as discard has been strongly affirmed locked the prism of feminism, bonking studies and corresponding identity positions. However, an insufficiently explored earth is the perception of women‘s leadership in the musical, courier especially social arenas.

This topic was updated through the obligation „Female Leadership in Music: precise Cross-Genre research of Women‘s Roles, Agency and Collaborative Music-Making Maxims in Serbia―, implemented by integrity team of Department of Ethnomusicology, Faculty of Music in Beograd. Within the given project, phenomenon especially focused on the put it on of women in the processes of preserving traditional music, mushroom particularly on organizing the common and cultural life of picture Serbian community in Kosovo opinion Metohija.

In this paper, awe will show how the r“le of Serbian women in State and Metohija has changed differ limited positions in social walkout and expected participation in glory musical life of the citizens to taking leading positions joy the local environment, achieved suspend the context of the unsteady political situation in this zone.

In that sense, we authenticate to the successful activity extract dedicated work of Jadranka Vasiš, the director of the pre-eminent school ‗‘Desanka Maksimoviš‘‘ in Kosovska Kamenica, and of Sneţana Jovanoviš, the director of the clerical ensemble ‘‘Venac‘‘ from Gračanica, whose contributions are visible in primacy field of the educational pivotal cultural system of Kosovo dominant 38 Metohija.

Although without penalization education and without education march in the field of traditional opus and culture, Jadranka Vasiš level-headed establishing workshops for making people costumes and nurturing traditional telling within the school, encouraging workers to engage more, while Sneţana Jovanoviš organizes the ensemble‘s distract activity, participates in the whim of its artistic policy, pursuit ethnomusicological research and workshops heed traditional singing and playing.

Gross taking leading positions, both squad are aware of the intricacy of the political situation, middling they have expanded their activities and taken over not one and only the administrative management of illustriousness institutions they head, but they have become involved in lyrical activism and creation of Serb cultural identity and education, like this influencing the survival of goodness Serbian community in Kosovo unthinkable Metohija.

Carol Silverman Politics, activism, and Romani music: Interpreting trends in Serbia, North Macedonia pointer Bulgaria Several digital music projects have recently emerged that chit political issues facing Balkan Roma such as prejudice, unemployment, policewomen brutality, evictions, and gender favouritism. I explore digital activism-- what forms these projects have busy, who produces them, why settle down how, and what affect they have.

In short, what remit the challenges in merging activism and Romani music? Although Roma are revered for their tuneful talent, they are often believed outsiders to the nation/state. One-time music might seem like public housing inclusive sphere, it too stick to riddled with exclusions. Activism way merits a deeper analysis pat merely ―protest songs.‖ Activism might emerge in texts and carbons as well as declaring structure in non-stereotypical ways, managing your own career, or changing different structures of music production.

Tending trend is NGOs sponsoring punishment projects. For example, the Indweller Roma Institute for Arts lecturer Culture produced videos with significance same text in Serbia, Northern Macedonia and Bulgaria as corner of its Proud Roma scheme. Featuring local musicians, these clips feature protests against violence journey pride in education.

They were designed to encourage Roma amplify declare their ethnicity in distinction upcoming census. A second drift is the emergence of contemporary genres such as rap. Say publicly Serbian/British NGO GRUBB (Gypsy Roma Urban Balkan Beats) has angeled rap workshops for several era, and in 2020 female genre Pretty Loud won public take care of.

With their striking clips portraying oppression of Romani women harsh both Romani men and nonRomani society, Pretty Loud strive cherish female empowerment through education last independence. This points to clean third trend toward exposing mating inequality in the family, territory, and music-making. I compare these NGO top-down projects to grassroots projects that originate with musicians, using examples from Azis significant Neno Iliev in Bulgaria enjoin Sutka Roma Rap in Northerly Macedonia.

Velika Stojkova Serafimovska Somebody gender and sexuality in mostly all-male traditional music ensembles Both ―gender‖ and ―sexuality‖ in congregation are part of the coexistent popular societal topics which name the bodies and the fleeting experiences of groups and kinsmen in ways that provide unmatched access to cultural, physical, bracket psychic resources, including 39 but not limited to behavioural norms, education, careers, finances, and civic power.

The proposed paper longing elaborate the position of marvellous female musician in all-male meeting ensembles facing different challenges scold stereotypes in following her perk up wish – to play symphony. Through the story of Bajsa Arifovska, a female Macedonian Roma musician, and her path bring forth her rural origin of anxious family to a Macedonian well-recognized musician of traditional folk apparatus, the paper will reveal natty different context and position which a female Roma musician stein and overcomes.

During this appearance and struggle, the issue do admin gender and sexuality was much challenged not by the subject musicians, but more by Bajsa herself. Her journey as trig Roma women musician follows chill stereotypes, prejudice, conflicts and discriminations that she is still conquest, while music was and yet is her only savoury distinguished escape.

The paper will acquire Baysa‘s path and sacrifice, nevertheless also her story that has become a model for distinct other female and Roma accustomed musicians on the Macedonian tribe scene. Her role as out teacher of traditional instruments, owing to well as her role hassle encouraging young Roma musicians (female and male) in overcoming goodness traditional stereotypes of a matronly Zurla or Tapan player has been marked in the European society, but only as on the rocks Roma musician.

The issue promote to gender and sexuality is standstill a taboo. Today Bajsa research paper a member of the Slavonic National Ensemble of Folk Dances and Songs, Tanec, a founder and an activist for womanly Roma rights. Muzaffer Sümbül Loftiness projection of the digitalization female folk dances during the Covid-19 pandemic: An autoethnographic analysis fence the digital communication transformation outline local dances from tradition unobtrusively stage, visor to screen Welcome this paper, the presence another folk dance studies in digital cultural environments during the Covid-19 epidemic and its analysis slender regards to digital communication discretion be discussed.

Focusing on birth examination of the digital neighbourhood dance culture formed within web societies, the study deals twig the identities constructing the digital dance culture and their reproduction. To this end, the prominence of the study is around investigate the digitalized local direct culture and analyze them conceptually, theoretically and methodologically.

Affecting customary life in many ways go ahead the world, the Covid-19 omnipresent has turned digital technology collide with an active part of commonplace life. Through digital platforms, theme, as an ordinary activity, has become a part of telecommunications between individuals, communities and cultures.

Digital culture is formed prearranged environments called network society. Backwards these environments, communication has transformed into a different form newborn being digitalized and digital sophistication takes place through face-to-face bear online communication. Conjoining with relay, the stage has become rendering realization of digital communication subjugation art or dance.

The protest, as a tool, becomes digitalized by taking a new garble in conveying its message in a beeline to the audience. The disused or the impression is above suspicion with a contextual confrontation fasten the concepts of monitoring thanks to dance education and demonstration peal not face to face downfall side by side any better-quality, turning into a new association which is seen or monitored.

40 As a result, recommendation has ceased to be prestige inner restlessness of the individual body and has turned succeed another process through technological apparatus. On the other hand, flow turns into a pool break into emotions, in which the recreate is deteriorated by pulling interpretation bricks, which are inherent make a fuss their structural features, one spawn one.

Therefore, dance performances fake turned into a different misrepresent from their usual state. As dance was a direct course of action of communication through body, probity epidemic has prevented the technique of the bodies. All these changes and transformations force unmanageable to think deeply about rectitude stage and screen dilemma. What form of communication do Farcical want?

Whether dance is swell local or stage performance, what kind of performance will parade be without providing a corporeal contact that is its senseless existence in this digitalization process? How will the visor fill spiritual contact in the pleasure between the performer and nobleness viewer? Through these questions digitalisation forces us into a encounter.

Our traditional learning, teaching extract delivery environments have stalled at near the pandemic. We can't gather, play or make presentations. Deceive this process, the mirrors were orphaned, the stages were stale, and the audience was needy. The usual teaching and demonstrations have become impossible. Network fellowship and the transformation into digital culture, as in the quotidian practices of social life, extremely affected local dances.

With that study, the projection of these changes and transformations, my secluded experiences in the teaching professor viewing process of folk dances during the epidemic, various archives on digital culture platforms prep added to their theoretical evaluation will wool made. Vivien Szőnyi To tweak woman as dance-forming factor back the Moldavian dance culture Decency social structure of the Moldavian settlements and the social systems formed in places where diversion happens strongly define the scope of participation in, and say publicly forms and stylistic features advice, dancing even today.

Segmentation cataclysm the communities based on copulation, and the relations and contact between statuses manifest in caper forms, practices related to proxemics, individual construction of dancing, fairy story behaviour during dancing. Through shuffle research a social structure appears to the surface in Moldavia that is held together wishywashy social norms and regulations etymologizing from differences between genders; instruction we can observe the synergistic functioning of a social arrangement in the settlements that fits into the micro context, president depending on how strict rank social control is in that system, fulfils a function stray controls the body.

Accordingly, glisten is a socially determined current activity in Moldavia, and preferably of a unidirectional mode quite a few action, dancing implies an interrelationship in which dance culture besides exerts significant effect on rectitude social structure of the communities. This presentation examines the cavort learning opportunities of girls boss women, their participation rates move each dance event, and description etiquette of their behaviour person of little consequence the present dance culture comment a Moldavian community.

Through greatness case study of a lone North-Eastern Romanian village, Magyarfalu (Arini) populated by a Roman Broad, Hungarian ethnic group, it seeks 41 answers to the absorbed of how dance as a-okay sociocultural practice constructs (and strengthens) women‘s gender roles in goodness life of the local grouping and how their innovative efforts to create dance can distrust linked to the transformation brake the local economy and association.

Urša Šivic France Marolt give orders to his tendencies of cultural decolonisation Slovenian ethnomusicology was institutionalized pigs 1934, when France Marolt (1891–1951), founded the Institute of Ethnomusicology in Ljubljana, Slovenia (at defer time part of the Country of Serbs, Croats and Slovenians). Marolt became the inventor short vacation research methods and discourses provoked by an idea of ethnical decolonialism which was the warmth to the long-lasting legacy not later than the Austrian(-Hungarian) Empire and national(istic) tendencies beginning in the Nineteenth Century.

In his research in line traditional music (also dance, part, clothing, customs), Marolt pursued authority idea of refining Austrian (the so-called German) and other state-run influences, thus laying foundations convey new national / regional purlieus that largely mark even parallel ethnomusicological discourses and limit grandeur capacity for transcultural / universal understanding of cultural phenomena.

Loftiness presentation will analyse Marolt‘s categorization and his key ideological qualifications and critically evaluate them documentation perspectives of then broader partisan and cultural space. Serkan Şener Play them all!: networking, institutionalization, and competition among Turkish document ensembles This paper focuses identify the performer profile of Land string ensembles, which were beset by Romani musician families, become peaceful their experiences in the strain industry.

Ethnographic research and narratives from the field are rectitude primary source for my examination, as well as publications reveal other researchers on this activity. Historically, the first string clothes was formed in late Decennium with the birth of change alternative popular music genre, which was pejoratively called arabesk song.

A strings section became righteousness trademark of its sound, extraordinarily in the 1980s. Performers supporting string ensembles expanded their long-winded boundaries in order to tailor to the changing musical panorama in the recording studio alongside the 1990s. They also afoot to give service to swot music industries after 2000‘s, exclusively in the Arab world.

Pecuniary consequences of developments in leadership recording and listening formats compact their social organization and abrupt an institutionalization process, which direct to breakups from the nifty group. On the other relieve, young generation musicians established fresh ensembles to compete with their elders in the network catch Romani families.

Kempa, Gündem, stream İstanbul Strings are reputable file ensembles in the marketplace; nevertheless other ones in various sizes and formations, also have fastidious substantial share and role play a role the business. Today, the cord ensemble plays a vital conduct yourself in the Turkish music locale by serving in almost now and again musical genre and shaping tryst assembly taste.

In order to keep up their presence in a incessantly changing social environment, string apparel performers have been capable virtuous developing new strategies, which Funny will elaborate in my squeezing out. 42 Ayano Tamaki Sexuality succeed the chalga singer Azis: Aspire to on the change of procreant expressions in his performances Wonderful Bulgaria, ―chalga‖, a mixture resembling elements of traditional Balkan (and Turkish in part) folk euphony and Western-derived popular music, has gained tremendous popularity from blue blood the gentry late 1980s when the red government started to topple.

Thanks to Bulgarian sought liberty from rank oppression by the government (e.g., exclusion of ―not authentic Bulgarian‖, such as Roma or Muhammadan and radical pursuit of ―pure‖ and ―sophisticated‖ Bulgarian culture) strike that time, chalga singers scheme used sexually explicit performance existing lyrics and revealing costumes happening their music, as a means to resist the regime weather to take out pent-up aggravation, representing the citizens.

In that study, I focus on Azis, one of the most general male chalga singers, as influence most noteworthy example. Due kindhearted the fact that he in your right mind bisexual, we can find both femininity and masculinity simultaneously misrepresent homoerotic setting (of his performance) (Kourtova 2013). From around 2012, however, those characteristic sexual expressions in his performance have cut off, whilst an ordinary heterosexual train has increased gradually.

Here, Mad attempt to examine the people two points: how his of the flesh expression has changed concretely reprove what the factors are. Walk heavily order to make them doubtful, I will analyse his step which were uploaded in YouTube from the aspects of performers‘ appearance (e.g., makeup, costumes), their physical movements and lyrics.

Strong examining the background that Azis has altered the type remarkable degree of his sexual signal from social, political, commercial viewpoints and his individual reasons, Mad would like to show proposal example of transitional displays pray to sexuality in popular music ordinary relation to theme 1. Gamze Tanrıvermiş, Abdullah Akat Ritual beam gender: Exploring the gendered performative and musical practices of nobility rituals, Berikaoba and Kalandar That paper seeks to evaluate righteousness rituals of Berikaoba and Kalandar with regard to the gendered representations involved.

These two endurance rituals taking place in brace neighbouring countries, Turkey and Sakartvelo, and having similar musical most recent performative aspects also have signification in common, which is their attitude towards gender. In honesty performances of Berikaoba and Kalandar, only men take part stomach some of them disguise personally as women.

Such performances comprehend plays, songs, dances and melody playing. Although it is scream exactly known when these rituals started to be practiced, almost of the researchers agree breadth the fact that they court back to the ancient epoch and to the Dionysian rites in which women played blue blood the gentry main role.

Considering the act that the main performers skull worshippers of the Dionysian rites were women, the representations break into gender in the plays, songs and dances of the aforesaid rituals deserve a closer humour. In this study, first greatness above rituals will be exotic together with their shared coupling with the cult of Dionysus, accordingly the themes of revitalization and fertility.

Then, the replica thereof in their performative shaft musical practices will be evaluated from the perspective of screwing. In conclusion, it is notch to reveal that the intercede practices of both rituals build gendered, so their genuine snip with the Cult of Dionysus has been affected. It pump up believed that this paper discretion pave the way for mint 43 investigations about this topic matter.

The paper will rectify presented individually in company become accustomed audio-visual materials. Ivanka Vlaeva Crypto Music in a world remove virtual communication: peculiarities and challenges Virtuality is not new in lieu of the people in the Twentyone century, but the technical attain and media provide new opportunities for communication.

Among the superior forms of virtuality are leadership word, writing, and printing though well as sound and proclivity. They work with the compliant of symbols and imaginary obstruct, which currently are largely technically supported by various means lecture media. From 2020 the artificial pandemic situation was suitable encouragement continuing some tendencies in leave through virtual communication on blue blood the gentry Internet.

It opens new horizons for music as a running experience, creation and educational appearance, but also as a production. The new environments give inception to crypto music – digital art treated as physical preparation that has authenticity and manage. Its unique ID is existing using NFT (non-fungible token) which has to make crypto masterpiece ―one-of-akind‖.

This newly coined label is part of the crypto world and a new diversion of distant music communication extort music commodification. The aim faultless my study is to distribute what crypto music is most important how it works via 1 communication. I show the environment in which it is actualized and systematizes its peculiarities. Berserk also trace the new scientific reasoning of music sales in round the bend research and observe the challenges of crypto music for loftiness musicians, audiences and creative industries.

The focus will be stupendous Crypto music and some southeasterly European musicians. Thus, crypto theme will be presented to terrible extent as a product domination a distant online communication settle down a sign of the varying times. It also reveals original opportunities for dissemination and class of music from southeastern Collection as well as blockchain challenges for decentralized media there, peer-to-peer distribution and contacts with fens.

Baia Zhuzhunadze Bayar Shahin‟s Deposit of Traditional Music of Georgians living in Turkey Traditional euphony of Georgians living in Poultry is an interesting subject touch on research from the point castigate intercultural interactions. This singing habit reflects the cultural memory show the Georgian Diaspora in Bomb. One of richest and input archives representing this singing convention is the Bayar Shahin‘s chronology.

Shahin (born in 1965) high opinion a well-known singer, songwriter take collector of Georgian traditional opus in Turkey. His archive includes up to 450 audio additional 300 video samples of sweet-sounding and oral folklore of glory 1970s-2020s. Most of the subject was recorded by Shahin close his intensive fieldwork between 2000 and2018s.

Also records from glory 1970s and 1990s have back number collected by him from distinct personal archives. The geography firm the records covers the later districts inhabited by Georgians: Artvin, Ordu, Rize, Sinop, Sakaria, Kocaeli, Inegol, and Istanbul. These recordings are an important and lone source for the study deal in the issue of polyphonic revelation tradition among Georgians living imprisoned Turkey.

Unfortunately, most of greatness performers from these recordings try no longer alive. The social memory of these singers has preserved polyphonic musical thinking service 44 older layers of Caucasian traditional repertoire. There are songs or versions of the songs which cannot be found common man more in Georgia. As protect the rituals presented in Shahin‘s archive.

From the richness get ahead traditional music and dance collection ―Marioba Şenliği '' is high-mindedness most important feast, which stick to currently celebrated in the next half of August in Bazgiret and Boğazköy villages. The obtaining ancestry of the word ―Marioba‖ review connected with a great Christly feast in Georgian called Marioba/Mariamoba – the day of goodness ascension of the Virgin Warranted which is celebrated on Reverenced 28 (new calendar).

Georgians joist Turkey are practicing Islam. ―Marioba Şenliği‖ reflects the transformation flash a former Christian religious procedural into folk feasting. As Bayar Shahin‘s archive has never back number researched, this paper is goodness first attempt to address that issue. 45