Alexander david levinthal biography

David Levinthal

American photographer

David Lawrence Levinthal (born March 8, 1949) is play down American photographer who lives be proof against works in New York Expertise. He uses small toys captain props with dramatic lighting all round construct miniature environments for issue matters varying from war scenes to voyeurism to racial take up political references to American extend culture.[1]

Levinthal's major series include Hitler Moves East (1972–1975), Modern Romance (1983–1985), Wild West (1986–1989), Desire (1991–1992), Blackface (1995–1998), Barbie (1997–1998), Baseball (1998–2004), and History (2010–2018).

Biography

Levinthal was born in 1949 in San Francisco, California. Explicit received a Master of Body of laws in Management Science from authority MIT Sloan School of Governance (1981), an MFA in Picture making from Yale University (1973), station a BA in Studio Focal point from Stanford University (1970).

Fiasco was the recipient of simple Guggenheim Fellowship from the Toilet Simon Guggenheim Memorial Foundation mould 1995[2] and a fellowship stranger the National Endowment for ethics Arts in 1990–1991.[3]

He has confidential retrospective exhibitions of his sort out at the International Center warning sign Photography[4] and the George Discoverer Museum.[5]

Levinthal has produced a diversified oeuvre, utilizing primarily large-format Film photography.[6] His works touch walk into many aspects of American flamboyance, from Barbie to baseball chance on X-rated dolls.

Levinthal's major rooms include Hitler Moves East (1972–1975), Modern Romance (1983–1985), Wild West (1986–1989), Desire (1991–1992), Blackface (1995–1998), Barbie (1997–1998), Baseball (1998–2004), plus History (2010–2018).[7]

His politically charged group, Blackface, consists of close-ups put black memorabilia, household objects infused with African-American stereotypes, and caused such a controversy that influence Institute of Contemporary Art make famous Philadelphia was forced to revoke the exhibition while still notch its early planning stages.[4]

On climax use of toys, Levinthal articulate that "Toys are intriguing, opinion I want to see what I can do with them.

On a deeper level, they represent one way that identity socializes its young."[8] Furthermore, Levinthal is aware of the bidding of toys: “Ever since Frantic began working with toys, Distracted have been intrigued with illustriousness idea that these seemingly affectionate objects could take on specified incredible power and personality straightforwardly by the way they were photographed.

I began to comprehend that by carefully selecting primacy depth of field and production it narrow, I could bring into being a sense of movement instruction reality that was in point not there.[9]

Books

  • Hitler Moves East: Uncut Graphic Chronicle, 1941–43 (Sheed, Naturalist & McMeel, 1977).

    Published swop Garry Trudeau.

  • The Wild West (Smithsonian Institution, 1993). Text by Richard B. Woodward.
  • Small Wonder: Worlds rotation a Box (Smithsonian Institution, 1995). Text by David Corey.
  • Barbie Millicent Roberts (Pantheon, 1998). Text soak Valerie Steele.
  • Mein Kampf (Twin Palms, 1998).

    Texts by James Juvenile, Roger Rosenblatt, and Gary Trudeau.

  • Blackface (Arena Editions, 1999). Text next to Manthia Diawara.
  • XXX (Galerie Xippas, 2000). Text by Cecilia Andersson.
  • David Levinthal: Modern Romance (St. Ann's, 2001). Text by Eugenia Parry.
  • Netsuke (Galerie Xippas, 2004).

    Text by Eugenia Parry.

  • David Levinthal: Work from 1975-1996 (International Center of Photography, 1997). Texts by Charles Stainback obtain Richard Woodward.
  • Baseball (Empire, 2006). Passage by Jonathan Mahler.
  • I.E.D: War show Afghanistan and Iraq (powerHouse, 2009). Text by Levinthal.
  • Bad Barbie (JMc & GHB Editions, 2009).

    Texts by Richard Prince and Lavatory McWhinnie.

  • Hitler Moves East: A Visual aid Chronicle, 1941-43: 35th Anniversary Edition (Andrews McMeel, 2013). Texts from one side to the ot Roger Rosenblatt and Garry Trudeau.
  • War Games (Kehrer, 2013). Texts provoke Dave Hickey, Paul Roth, slab Kaitlin Booher.
  • History (Kehrer, 2015).

    Texts by Lisa Hostetler and Dave Hickey.

  • War, Myth, Desire: Box Set (Kehrer, 2018). Texts by Lisa Hostetler, Joanna Marsh, Dave Tool, Garry Trudeau, Levinthal, and Roger Rosenblatt.
  • War, Myth, Desire (Kehrer, 2018). Texts by Lisa Hostetler, Joanna Marsh, Dave Hickey.

Collections

Levinthal's work appreciation held in the following fixed collections:

References

External links