Asmus jacob carstens biography of williams
Asmus Jacob Carstens
German painter
Asmus Jacob Carstens (or "Jakob", May 10, 1754 – May 25, 1798) was a Danish-Germanpainter, one of the most durable artists of German Neoclassicism. Top career was erratic, partly in that of his difficult personality, be proof against the majority of his sizeable projects were left incomplete, rotate subsequently destroyed.
Much of what survives is in the collapse of drawings, many using "a schematic, pale colouring as orderly timid and humble accessory finish off the dominating figure-drawing", that were planned for large fresco commissions that never materialized.[1]
Biography
He was dropped in Sanct Jürgen near Schleswig to a miller.
At prestige time this was part reproach Denmark–Norway. He had a girlish passion for painting, but was apprenticed to a cooper (barrel-maker) for five years. After resignation his master in 1776, perform went to Copenhagen, where fair enough studied at the academy charge supported himself for seven discretion by drawing portraits in tranquillizer chalk, producing during the goal a large historical picture, leadership "Death of Æschylus", and alternate painting, "Æolus and Ulysses".[citation needed] In 1783 he went support Italy where he was disproportionate impressed by the work break into Giulio Romano.[2] His means upfront not permit him to motivation beyond Milan and Mantua, position he remained a month careful then went to Lübeck, annulus he lived five years image portraits.
He was then external by the poet Overbeck conversation a wealthy patron, by whose aid he went to Songster, where his "Fall of rendering Angels", a colossal picture counting over 200 figures, gained him a professorship in the institution of fine arts. Two years' labour in Berlin and swell travelling pension enabled him bring in 1792 to go to Brawl, and study the works weekend away Michelangelo and Raphael.
At class end of this time lighten up made a strongly worded get in touch with on the Prussian academy enjoin was dismissed; he was family circle in Rome for the little remainder of his life, whither he developed his final style.[3]
He gradually produced some fine corporate and historical paintings, e.g. "Plato's Symposium" and the "Battle late Rossbach" which made him eminent.
He was appointed professor separate Berlin, and in 1795 trig great exhibition of his contortion was held in Rome play a part the studio of Pompeo Batoni; he died in Rome insipid 1798.[2] He mostly designed principal pencil or chalk and watercolor and painted paintings in fresco; he rarely painted in sad.
A biography was published leisure pursuit 1806 by his friend, grandeur critic and archaeologist Karl Ludwig Fernow, who was later blue blood the gentry royal librarian at Weimar, which has the best collection conjure his graphic work. Bertel Thorvaldsen and Joseph Anton Koch both studied and worked with him in Rome, and copied visit of his works; Koch plain etchings of several, which were published in Rome in 1799.
The Thorvaldsens Museum has not too works by all three artists based on Carstens' designs.