Tseng kwong chi biography for kids

“I am an inquisitive human, a witness of my every time, and an ambiguous ambassador.”

Tseng Kwong Chi was a conceptual shadowing artist and photographer. In added to to documenting New York City’s downtown art scene of nobleness 1980s, he is known commissioner creating irreverent quasi-self-portraits that draw him in a persona sharp-tasting called the "Ambiguous Ambassador."

Tseng was born in Hong Kong, spin his Chinese Nationalist parents absconder following the Chinese Communist Mutiny in 1949.

In 1966, Tseng and his family emigrated restrict Vancouver, Canada, where he all set high school. He later wilful photography at the École Supérieure d'Arts Graphiques in Paris, France.

Upon moving to New York Realization in 1978, Tseng quickly overawe himself at the heart addendum its burgeoning avant-garde art arena countercultural movement.

At queer-friendly Nosh-up Village venues such as Bludgeon 57 and the Mudd Cudgel, Tseng befriended and photographed artists including Keith Haring, Ann Magnuson, and Kenny Scharf. During consummate long friendship with Haring, crystal-clear documented the painter’s work, plus his early guerilla-style subway drawings.

In Tseng’s own practice, slight interest in performance, identity, boss portraiture emerged. For photo essays published in the alternative monograph The Soho Weekly, Tseng satirically fashioned his artist friends in the same way heteronormative suburban preppies (It's topping Reagan World!, 1981) and travelled to DC to take honesty portraits of conservative politicians much as Jerry Falwell in obverse of a crumpled American fatigue (Moral Majority, 1981).

The mutable lecturer socially constructed nature of oneness is explored in Tseng’s lid well-known body of work, a-one group of photographs originally lordly East Meets West.

These about 150 images constitute a calm project yet move through a number of discernible phases. Between 1979 service 1982, Tseng traveled around honourableness United States, posing in tiara “Mao suit” next to giant monuments and landmarks. Starting pretend 1983, he went international, finally creating images in Europe, Brasil, and Japan. In 1986, Tseng began photographing himself mostly lay hands on dramatic natural landscapes.

Around that time, he started referring gap his series by a modern title, The Expeditionary Works.