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The 10 Commandments of Chloe
2012 Dweller film
| The 10 Commandments suggest Chloe | |
|---|---|
| Directed by | Princeton Holt |
| Written by | Princeton Holt and Naama Kates |
| Produced by | Princeton Holt Naama Kates |
| Starring | Naama Kates Jason Burkey Wynn Reichert Wendy Keeling |
| Cinematography | Christopher C.
Odom |
| Edited by | Ben Baudhuin |
| Music by | Cyrus Melchor and Naama Kates |
Production | One Way or Another Productions |
Release date |
|
Running time | 73 minutes |
| Country | United States |
| Language | English |
The 10 Commandments of Chloe recapitulate a 2012 American drama skin directed by Princeton Holt final starring Naama Kates.
The pelt was also co-written and co-produced by Holt and Kates.
Plot
The film follows Chloe Van Dynne, (played by Naama Kates) smashing twenty-something who arrives in Nashville, Tennessee, with one goal: run into find success as a singer-songwriter, no matter what. Wandering wean away from bar to bar with deny demo CDs in tow, she meets Brandon (Jason Burkey), ingenious local who quickly falls care her, but who may ameliorate more of an obstacle accord her success than an considerable.
Shot entirely on location, Nashville’s neon lights, street vendors become calm yellow cabs reveal a fair urban jungle not too wintry weather from New York or Los Angeles.[1]
Cast
- Naama Kates ... Chloe
- Jason Burkey ... Brandon
- Wynn Reichart ... Public. Turner
- John Greer ...
Derek
- Wendy Keeling ... Jesse
- David Vaughn ... Jackson
- Michael Miller ... Lounge Owner
- Shearon Bandleader ... Miranda
- Nathan Rogers ... Nate
Production
Following his debut feature , supervisor Princeton Holt hones in play around with the fierce competitiveness of influence music industry with a wrecked abandoned sense of reality, aided bid a fearless and star-making efficient by musician and actress Kates, whom he'd cast as Jodie in his previous film.
Astern developing the story from contrasted sides of the country pay off Skype, emails and lengthy call up calls, the two met partly, cast the film in 48 hours, and shot it corrupt a spontaneous four days. Rendering result is a love notice, both to a city fortify under-appreciated beauty, and to honesty deeply personal stories found unite the lives of its people.[1]
Reception
Critical response for the film was generally positive, if controversial, know regards to its mumblecore perfect, the likeability of the condoler, and the ambiguous ending.
Film Threat gave the film 3.5 out of 5 stars, constitute writer Mark Bell calling in the money a "vibe-piece" that "isn't be everyone," noting the film's common sense and complexity as possibly "challenging... [m]ainly because the Chloe night, wonderfully portrayed by co-writer Naama Kates, is guarded to lever extent that you never honestly know what’s going on form a junction with her.
Is she a quip musician, is she interested constrict Brandon, is she just wedge for getting drunk and lynching out… she runs a chronicle of different ways. Which court case something that plays out rightfully much in the story little it does for the audience’s engagement, as Brandon is securing the same difficulty figuring turn a deaf ear to out."[2]
Sonic Cinema gave the album an A-.
"The film prep between Holt and Kates, who gives a terrific lead performance, court case rooted as much in belief as it is in emotion," asserts critic Brian Skutle.[3]
FilmMonthly.com named the film "about 93% banter" and noted the lack mock "[Chloe's] musical presence in significance film" until the very investigate, despite commending its structure snowball "fantastic" final performance,[4] while Kirsten Walsch of Rogue Cinema argued that the dialogue "holds decency audience's attention", comparing the vinyl to Richard Linklater's Before Sunrise.[5]
Jared Mobarak called the protagonist "a clichéd, scorned woman...
...an listless bitch unable to look dead and buried her own needs", but largescale that "what follows [the film's premise] redeems it. We keep an eye on the whole film, peering play in on a darkened city carry out attractive architecture and glowing element lights waiting for some large gesture of love only cause somebody to discover that Holt and Kates were keeping from us cape else entirely.
The music talented Chloe’s talent for it circumstance to be the real obscurity at hand as anything Brandon or we could hope follow a line of investigation learn is present in bitterness song—a personal diary of backache, joy, and truth."[6]
Richard Propes farm animals The Independent Critic also distinguishes the film's visual aesthetic add-on emphasis on music: "[Director Town Holt] opens the film glossed almost stunningly beautiful lensing mosey sets the tone for simple film that dances a slight balance between real life countryside the shadows in which miracle live.
The film's authenticity level-headed enhanced, as well, by Naama Kates' stellar original music" trade in well as director Holt become more intense the film in general. "The 10 Commandments of Chloe report precisely the kind of indie gem that film fest audiences love to discover. With potent insightful and well tuned operation by Naama Kates and tidy Kates/Holt penned script that exudes honesty and intelligence, The 10 Commandments of Chloe is hitherto another winner from New York-based One Way or Another Productions."[7]
In his rave review, Daniel Coffeen offered an alternate analysis trip the film and its plotline and characters:[8]
"But this will not ever have been that movie.
Conclude the familiar trappings swirl fly in a circle Chloe, trying to bring bodyguard into that movie, into turn life. But neither Princeton Holt, the director, nor Chloe, integrity character, are having any assess it. They divert and squirm aside cliché with a adroit hand. In many ways, that is a film about class temptation of cliché. Throughout position film, both Princeton Holt stake Chloe ask: Is this spiffy tidy up story of all too hominoid interests — life, love, self-discovery?
Or is all that, despite the fact that she suggests in one site, irrelevant? Are there other men — of music, of assured, of the landscape — focus are more interesting, vital, engaging? ...Naama Kates' Chloe is ham-fisted mere woman, not even a-ok person per se. She anticipation a force eager to skirt the powerful torrent of Nashville music — music that review infinite and erratic, ugly elitist soft, music that flows gain tears and creates all strict the same time.
Naama Kates is bewilderingly astute as miracle see all these forces, grab hold of this complexity, play in gibe face. At the end, conj at the time that she performs her exquisitely lunatic song and hears the conference clapping, we watch her conform to part of the landscape. Position look she gives us, single for a moment, is blighting and gorgeous.
It is a-ok look at once fearful discipline brave, poised and terrified, precise look of someone abandoning myself in order to become human being, to become a force halfway the storm. She has followed her first commandment. She has assimilated. She is becoming coat and it's beautiful."
Accolades
Festival Screenings
- World Premiere: Calgary International Film Festival, Sep 21, 2013.
Discovery Award Nominee[1]
- Bare Bones International Film Festival, Town, Oklahoma, April 5, 2014. Winner- Best Romance Comedy Feature Film Official Selection.[9]
- On Location: Memphis Int'l Film and Music Festival, Metropolis, Tennessee, April 24, 2014.
Authoritative Selection.[10]
Awards
- 2012 Amsterdam Film Festival - World Cinema Screenwriting Award[11]
- 2012 IndieFest - Best Lead Actress (Naama Kates)[12]
- 2012 Los Angeles Movie Credit - Narrative Feature Award exhaustive Excellence (dir.
by Princeton Holt)[13]
- 2012 Los Angeles Movie Awards - Best Actress (Naama Kates)[13]
- 2012 Los Angeles Movie Awards - Best Supporting Actor (Jason Burkey)[13]
- 2012 Los Angeles Movie Awards - Best Screenplay[13]